<i>Feeling the Future at Christian End-Time Performances</i>by Rob Silverman Ascher The Journal of American Drama and Theatre Volume 35, Number 2 (Spring 2023) ISNN 2376-4236 ©2023 by Martin E. Segal […]

<i>Democracy Moving: Bill T. Jones, Contemporary American Performance, and the Racial Past</i>by Jada M. Campbell The Journal of American Drama and Theatre Volume 35, Number 2 (Spring 2023) ISNN 2376-4236 ©2023 by Martin E. Segal […]

Effing Robots Online: The Digital Dramaturgy of Translating In-Person Theatre to Online Streamingby L. Nicol Cabe The Journal of American Drama and Theatre Volume 35, Number 2 (Spring 2023) ISNN 2376-4236 ©2023 by Martin E. Segal Theatre […]

<i>(Re)Generation</i>: Creating Situational Urban Theatre During COVID and Beyondby MK Lawson and Jessica Bashline The Journal of American Drama and Theatre Volume 35, Number 2 (Spring 2023) ISNN 2376-4236 ©2023 by Martin […]

Reviving Feminist Archives: An Interview with Leigh Fondakowskiby Caitlin A.Kane The Journal of American Drama and Theatre Volume 35, Number 2 (Spring 2023) ISNN 2376-4236 ©2023 by Martin E. Segal […]

<i>The Front Porch Plays</i>: Socially-Distanced, Covid-Safe, Micro-Theatre by Elyzabeth Gregory Wilder The Journal of American Drama and Theatre Volume 35, Number 2 (Spring 2023) ISNN 2376-4236 ©2023 by Martin E. […]

Starting with the Space: An Interview with Patrick Gabridge by Talya Kingston The Journal of American Drama and Theatre Volume 35, Number 2 (Spring 2023) ISNN 2376-4236 ©2023 by Martin E. Segal […]

New Worlds Revealed in an Immigrant Journey, and an Unexpectedly Meaningful Universe Discovered and Destroyed Inside Styrofoam, at the Edinburgh Festival By Mark Dean Counting and Cracking, presented at the Edinburgh International Festival this summer, is a realistic, heartfelt, […]

Books ReceivedIf you would like to write a review for JADT, please contact our current book review editor Maya Roth at [email protected]. If you know of a […]

The Sibiu International Theatre Festival Transforms Dreams into Reality (The Magic of 2022 FITS in Short Superlative) By Ionica Pascanu In the early 1990s, Constantin Chiriac, the President of the Sibiu International Theatre Festival, had a […]

The Piatra-Neamt Theatre Festival in Romania: 146 Kilometers from Heart to Heart By Cristina Modreanu For 14 days, between September 5 and 18, a small city in Romania became the stage for a series of events: new […]

Will’s Way at the Shakespeare International Festival Craiova 2022 by Alina Epîngeac In Romania we have a word that is supposed to be untranslatable; its meaning has a correspondent in the […]

Almodóvar’s Women on the Verge in Portugal By Duncan Wheeler Nearly three and a half decades ago, Mujeres al borde de un ataque de nervios/Women on the Verge of a Nervous […]

Fear, Love, and Despair – Radu Afrim: Director of Core Feelings by Alina Epîngeac What does “renowned” mean anymore? Nowadays, when history seems to be as relative as anything, when aest […]

Participation, Documentary and Adaptation: Barcelona Theatre May 2022 By Maria Delgado Adieu Arturo/Goodbye, La Cubana, Teatre Coliseum I watched the La Cubana’s Catalan iteration of Adios Arturo, ti […]

Grec Festival de Barcelona, July 22 By Anton Pujol “Exhaurides les localitats” (Sold out) became a ubiquitous sign across most venues for performances from this year […]

The Polish Nation in a Never-Landing Aircraft By Katarzyna Biela In Poland, 13 December is commonly associated with the implementation of martial law, announced in 1981 by […]

Rise Up! Broadway and American Society from <i>Angels in America</i> to <i>Hamilton</i>Rise Up! Broadway and American Society from Angels in America to Hamilton. Chris Jones. London: Methuen Drama, 2019. Pp. 215. Rise Up! […]

The Queer Nuyorican: Racialized Sexualities and Aesthetics in LoisaidaThe Queer Nuyorican: Racialized Sexualities and Aesthetics in Loisaida, by Karen Jaime. New York City, NY:  New York University Press, 2021; […]