Ph.D., History of American Civilization, November 2000
Harvard College, Cambridge, MA
A.B., magna cum laude, Afro-American Studies, June 1989
Publications
“Teaching Post-9/11 Novels: Lessons from Abroad” in Teaching 9/11 and its Aftermaths (New York: MLA, TBD)
Alternative Histories, Alternative Homes, Alternative Nations: Contemporary Literature and Genre in the Age of Trump in American Literature in the Era of Trump: Alternative Realities (London: Palgrave, 2022)
Contributor to “Reckoning by Cyphers, Laughing with Robots: New Technologies in Research and Teaching,” 2019 Amerikastudien/American Studies (Volume 64, Issue 1, 2019)
Review of Daniel Hack, Reaping Something New: African American Transformations of Victorian Literature & Shawn Anthony Christian, The Harlem Renaissance and the Idea of a New Negro Reader in American Periodicals
“A Tree Grows in Bajan Brooklyn: Writing Caribbean New York,” Surveying the American Tropics: Literary Geographies from New York to Rio (Liverpool: University of Liverpool Press, 2013)
“Fire and Harlem,” The Oxford Critical and Cultural History of Modernist Magazines (New York, Oxford University Press, 2012)
“Writing Brooklyn” in The Cambridge Companion to New York Writing (New York: Cambridge University Press, 2010)
“New York City,” in The Oxford Encyclopedia of African American History (New York: Oxford, 2008)
“Teaching the Visual Arts of the Harlem Renaissance” in Teaching the Harlem Renaissance (New York: Peter Lang, 2008)
Alain Locke” in Harlem Speaks: A Living History of the Harlem Renaissance (Naperville, IL: Sourcebooks MediaFusion, 2007)
“Modernism and Race” in A Companion to Modernist Literature and Culture (Oxford: Blackwell Publishing, 2006)
“From Harlem to Hurston: Miguel Covarrubias’s Images of African Americans” in Miguel Covarrubias: Caricaturista Exhibit Guide(Austin: Humanities Texas, 2005)
“Reading for Pleasure” in “The Short List,” The Chronicle of Higher Education (May 6, 2005)
Enter the New Negroes: Images of Race in American Culture (Cambridge: Harvard University Press, 2004)
Review of Robert E. Washington, The Ideologies of African American Literature: From the Harlem Renaissance to the Black Nationalist Revolt in Ethnic and Racial Studies (Vol. 26 No. 3 May 2003)
“’Nor Can I Reduce This Experience to a Medium’: Race and the Visual Arts in the Work of Jean Toomer,” in Dream-Fluted Cane: Essays on Jean Toomer and the Harlem Renaissance, edited by Geneviève Fabre and Michel Feith (New Brunswick: Rutgers University Press, 2001)
“Poetry in Motion,” in Polygraph8/9: An International Journal of Culture and Politics, 1996
Positions
Associate Professor and Chair, English, Brooklyn College