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Digital Humanities Initiative

The CUNY Digital Humanities Initiative (CUNY DHI), launched in Fall 2010, aims to build connections and community among those at CUNY who are applying digital technologies to scholarship and pedagogy in the humanities. All are welcome: faculty, students, and technologists, experienced practitioners and beginning DHers, enthusiasts and skeptics.

We meet regularly on- and offline to explore key topics in the Digital Humanities, and share our work, questions, and concerns. See our blog for more information on upcoming events (it’s also where we present our group’s work to a wider audience). Help edit the CUNY Digital Humanities Resource Guide, our first group project. And, of course, join the conversation on the Forum.

Photo credit: Digital Hello by hugoslv on sxc.hu.

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‘Celebrities With Big Dicks’ – the zombie-ish dark(?) side of commons based digital publishing?

  • Gawker has an interesting article about businesses working to pump out POD books recombining Wikipedia Articles. Each book takes about 12 minutes to make, and lives on forever, undead in the Amazon database even if no one ever buys it…

    Gawker, being Gawker, picked the most pageview friendly title, but many/most of them seem much more mundane.

    http://gawker.com/5901842/celebrities-with-big-dicks-and-other-tales-from-the-weird-world-of-wikipedia-books

    This is the lead:


    The description isn’t lying. Well, I don’t know that everyone loves a big meaty dick. But Celebrities With Big Dicks, a copy of which is currently sitting here, on my desk, does indeed “primarily consist of articles available from Wikipedia.” For 40 bucks and change, you’ve got yourself a printed and bound copy of 22 Wikipedia articles, from “penis” and “human penis size” (background information, obviously) to “Grigori Rasputin” and “Ray J” (the celebrities of the title) subdivided into helpful sections with titles like “The Almighty Penis” and “The Sex Organs, Boners, and Cum Shots.”

    And that’s basically all you get. There’s a title page, and a table of contents, but no information about Rasmussen, and no publisher listed; just a short paragraph printed twice, on the title page and back cover, detailing a kind of manifesto. “The book you are holding in your hand,” it reads in part, “utilizes the unique characteristics of the internet… while maintaining all the convenience and utility of a real book.”

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