I’ve been looking for cross-genre or performance work by Ronaldo Wilson (also a GC graduate) and came across this image-text piece in a journal called BOUNDARY 2. I’m interested in how the linguistic and visual gestures do or don’t work together – mostly in thinking about how a piece of writing or art comes into being at all. I see some connection here to the Barbara Guest piece on “invisible architecture” – who or what shapes and guides a poem in its becoming?