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	<title>CUNY Academic Commons | Sara Deniz Akant | Activity</title>
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				<title>Sara Deniz Akant joined the group GC Composition &#038; Rhetoric Community (GCCRC)</title>
				<link>https://commons.gc.cuny.edu/activity/p/743162/</link>
				<pubDate>Mon, 15 Feb 2021 20:28:06 -0500</pubDate>

				
				
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				<title>Sara Deniz Akant joined the group CUNY-Wide Composition and Rhetoric</title>
				<link>https://commons.gc.cuny.edu/activity/p/743161/</link>
				<pubDate>Mon, 15 Feb 2021 20:27:56 -0500</pubDate>

				
				
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				<title>Sara Deniz Akant&#039;s profile was updated</title>
				<link>https://commons.gc.cuny.edu/activity/p/584350/</link>
				<pubDate>Thu, 25 Jul 2019 19:33:48 -0400</pubDate>

				
				
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				<title>Sara Deniz Akant changed their profile picture</title>
				<link>https://commons.gc.cuny.edu/activity/p/533763/</link>
				<pubDate>Tue, 06 Nov 2018 03:44:16 -0500</pubDate>

				
				
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				<title>Sara Deniz Akant&#039;s profile was updated</title>
				<link>https://commons.gc.cuny.edu/activity/p/533719/</link>
				<pubDate>Tue, 06 Nov 2018 02:09:00 -0500</pubDate>

				
				
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				<title>sara deniz akant modified Example of a “Deformance” Project in Introduction to Doctoral Studies in English:  English 70000</title>
				<link>https://commons.gc.cuny.edu/activity/p/431172/</link>
				<pubDate>Wed, 06 Apr 2016 18:53:21 -0400</pubDate>

				
				
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				<title>sara deniz akant uploaded de Certeau - On the Oppositional Practices of Everyday Life to Introduction to Doctoral Studies in English:  English 70000</title>
				<link>https://commons.gc.cuny.edu/activity/p/431171/</link>
				<pubDate>Wed, 06 Apr 2016 18:52:57 -0400</pubDate>

									<content:encoded><![CDATA[<p>de Certeau’s essay also relates to McGann’s description of “deformance” for me. Building off my post below &#8211; de Certeau argues that “the principle characteristic of an ‘art’ is the transformation of one state into another one.” By considering our everyday activities – of “dwelling, walking, spelling, reading, shopping, and cooking”  – as the&hellip;<span class="activity-read-more" id="activity-read-more-431171"><a href="https://commons.gc.cuny.edu/activity/p/431171/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>sara deniz akant uploaded Example of a “Deformance” Project to Introduction to Doctoral Studies in English:  English 70000</title>
				<link>https://commons.gc.cuny.edu/activity/p/431167/</link>
				<pubDate>Wed, 06 Apr 2016 18:44:28 -0400</pubDate>

									<content:encoded><![CDATA[<p>re: the McGann idea of interpretation + performance = “deformance.” The making of new art out of other art (how does this relate to bricolage?) In his project “Volumetric Cinema,” Kevin Ferguson (who co-taught the DH Praxis with Matt Gold last semester) digitally manipulates film clips to show that cinema should be seen as, “neither a window no&hellip;<span class="activity-read-more" id="activity-read-more-431167"><a href="https://commons.gc.cuny.edu/activity/p/431167/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>sara deniz akant modified Anna Gibbs - The Gift in Introduction to Doctoral Studies in English:  English 70000</title>
				<link>https://commons.gc.cuny.edu/activity/p/428736/</link>
				<pubDate>Mon, 14 Mar 2016 03:20:13 -0400</pubDate>

				
				
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				<title>sara deniz akant uploaded Anna Gibbs - The Gift to Introduction to Doctoral Studies in English:  English 70000</title>
				<link>https://commons.gc.cuny.edu/activity/p/428735/</link>
				<pubDate>Mon, 14 Mar 2016 03:19:58 -0400</pubDate>

									<content:encoded><![CDATA[<p>I intend to look at the methodology in this essay by Anna Gibbs, which both demonstrates and meditates on what she calls “fictocriticism.” First, she stages a collaboration between two texts: Marcel Mauss’ The Gift, and four texts written under the name of “Colette,” which takes the form of ten “cut-up&#8221; vignettes. In an “Afterward” to these texts,&hellip;<span class="activity-read-more" id="activity-read-more-428735"><a href="https://commons.gc.cuny.edu/activity/p/428735/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>sara deniz akant modified Exhibit ‘T’: USA children (20th and 21st centuries) in Introduction to Doctoral Studies in English:  English 70000</title>
				<link>https://commons.gc.cuny.edu/activity/p/428623/</link>
				<pubDate>Fri, 11 Mar 2016 20:35:06 -0500</pubDate>

				
				
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				<title>sara deniz akant uploaded Exhibit ‘T’: USA children (20th and 21st centuries) to Introduction to Doctoral Studies in English:  English 70000</title>
				<link>https://commons.gc.cuny.edu/activity/p/428586/</link>
				<pubDate>Fri, 11 Mar 2016 00:45:50 -0500</pubDate>

									<content:encoded><![CDATA[<p>This feels much creepier as an upload after the Carroll cipher, but I think its interesting to think about “teaching children to write poetry&#8221; in terms of pedagogical writing practice. And, going back to that word “creepy” &#8211; how poets have fetishized &#8220;childish” creativity &#8211; myself included, since I do think some of these poems are just really&hellip;<span class="activity-read-more" id="activity-read-more-428586"><a href="https://commons.gc.cuny.edu/activity/p/428586/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>sara deniz akant modified Lewis Carroll - Alphabet Cipher in Introduction to Doctoral Studies in English:  English 70000</title>
				<link>https://commons.gc.cuny.edu/activity/p/428584/</link>
				<pubDate>Fri, 11 Mar 2016 00:33:54 -0500</pubDate>

				
				
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				<title>sara deniz akant uploaded Lewis Carroll - Alphabet Cipher to Introduction to Doctoral Studies in English:  English 70000</title>
				<link>https://commons.gc.cuny.edu/activity/p/428583/</link>
				<pubDate>Fri, 11 Mar 2016 00:33:05 -0500</pubDate>

									<content:encoded><![CDATA[<p>While thinking about what words can do, as signs and signifiers, why not also think about letters &#8211; in this case, of the English alphabet? Attached is a attached is an alphabet cipher by Lewis Carroll, which he apparently wrote in a magazine supplement explaining cryptography to children in 1868. Creepy. </p>
<p>But basically, I’m thinking of the s&hellip;<span class="activity-read-more" id="activity-read-more-428583"><a href="https://commons.gc.cuny.edu/activity/p/428583/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>sara deniz akant uploaded In Their Own Words - You Da One to Introduction to Doctoral Studies in English:  English 70000</title>
				<link>https://commons.gc.cuny.edu/activity/p/428415/</link>
				<pubDate>Wed, 09 Mar 2016 12:20:42 -0500</pubDate>

									<content:encoded><![CDATA[<p>It was hard to choose which of these “nuggets” to upload &#8211; better would perhaps be a collection, since my point in this “pointing” is more to the “form&#8221; of the thing (writers writing about their writing, which is a type of performance in itself) &#8211; than any one particular thing. In any case, Tamayo’s book has caught my eye, and tho I haven’t rea&hellip;<span class="activity-read-more" id="activity-read-more-428415"><a href="https://commons.gc.cuny.edu/activity/p/428415/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>sara deniz akant modified Adrienne Rich - Notes to a Politics of Location in Introduction to Doctoral Studies in English:  English 70000</title>
				<link>https://commons.gc.cuny.edu/activity/p/428413/</link>
				<pubDate>Wed, 09 Mar 2016 10:21:06 -0500</pubDate>

				
				
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				<title>sara deniz akant uploaded Adrienne Rich - Notes to a Politics of Location to Introduction to Doctoral Studies in English:  English 70000</title>
				<link>https://commons.gc.cuny.edu/activity/p/428412/</link>
				<pubDate>Wed, 09 Mar 2016 10:20:40 -0500</pubDate>

									<content:encoded><![CDATA[<p>In this essay, Adrienne Rich interrogates the myth of the universal, objective, (male), abstract, disembodied, and authoritative pronoun “WE.” Her arguments are personal &#8211; as she abides by the notion that the “personal is political” &#8211; but also nuanced and probing, constantly in revision of themselves: as she puts it in a different piece: &#8220;writin&hellip;<span class="activity-read-more" id="activity-read-more-428412"><a href="https://commons.gc.cuny.edu/activity/p/428412/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>sara deniz akant uploaded Barbara Guest - Invisible Architecture to Introduction to Doctoral Studies in English:  English 70000</title>
				<link>https://commons.gc.cuny.edu/activity/p/427556/</link>
				<pubDate>Wed, 24 Feb 2016 17:08:42 -0500</pubDate>

									<content:encoded><![CDATA[<p>This short piece feels very important to any discussion of the creative act, the act of writing as discovery, or creative-critical mash up. &#8220;Invisible Architecture&#8221; lives &#8211; &#8211; &#8211; on the Poetry Foundation website.</p>
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				<title>sara deniz akant uploaded Ronaldo Wilson - Gray: Plates (8) to Introduction to Doctoral Studies in English:  English 70000</title>
				<link>https://commons.gc.cuny.edu/activity/p/427548/</link>
				<pubDate>Wed, 24 Feb 2016 17:05:16 -0500</pubDate>

									<content:encoded><![CDATA[<p>I’ve been looking for cross-genre or performance work by Ronaldo Wilson (also a GC graduate) and came across this image-text piece in a journal called BOUNDARY 2. I’m interested in how the linguistic and visual gestures do or don’t work together &#8211; mostly in thinking about how a piece of writing or art comes into being at all. I see some conne&hellip;<span class="activity-read-more" id="activity-read-more-427548"><a href="https://commons.gc.cuny.edu/activity/p/427548/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>sara deniz akant modified How Words Fail - Cathy Park Hong in Introduction to Doctoral Studies in English:  English 70000</title>
				<link>https://commons.gc.cuny.edu/activity/p/426928/</link>
				<pubDate>Wed, 17 Feb 2016 05:07:55 -0500</pubDate>

				
				
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				<title>sara deniz akant uploaded How Words Fail - Cathy Park Hong to Introduction to Doctoral Studies in English:  English 70000</title>
				<link>https://commons.gc.cuny.edu/activity/p/426927/</link>
				<pubDate>Wed, 17 Feb 2016 05:06:32 -0500</pubDate>

									<content:encoded><![CDATA[<p>In this essay published on the Poetry Foundation site, Cathy Hong writes about the problems of finding or defining a single “I” or “voice,” and her belief in &#8220;English as an artificial, stiffish thing.” She goes on to read the severed syntax in Paul Celan and John Taggart as not (only) philosophical or “experimental&#8221; (as seems implied by Ron Sill&hellip;<span class="activity-read-more" id="activity-read-more-426927"><a href="https://commons.gc.cuny.edu/activity/p/426927/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>sara deniz akant modified Saidiya Hartman: Naming and the Archive - Venus in Two Acts in Introduction to Doctoral Studies in English:  English 70000</title>
				<link>https://commons.gc.cuny.edu/activity/p/426922/</link>
				<pubDate>Wed, 17 Feb 2016 04:26:35 -0500</pubDate>

				
				
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				<title>sara deniz akant uploaded Saidiya Hartman: Naming and the Archive - Venus in Two Acts to Introduction to Doctoral Studies in English:  English 70000</title>
				<link>https://commons.gc.cuny.edu/activity/p/426899/</link>
				<pubDate>Tue, 16 Feb 2016 22:52:34 -0500</pubDate>

									<content:encoded><![CDATA[<p>I’m interested in the theories and implications of a name – that is, a fixed word (or set of words) given to a person as means of defining and sustaining their existence and identity. In my own writing, I’ve become aware of forming shifting narratives and identities via first or “given” female characters with names often denoting something&hellip;<span class="activity-read-more" id="activity-read-more-426899"><a href="https://commons.gc.cuny.edu/activity/p/426899/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>sara deniz akant modified Sarah Ahmed - Against Students in Introduction to Doctoral Studies in English:  English 70000</title>
				<link>https://commons.gc.cuny.edu/activity/p/426349/</link>
				<pubDate>Wed, 10 Feb 2016 03:50:04 -0500</pubDate>

				
				
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				<title>sara deniz akant uploaded Sarah Ahmed - Against Students to Introduction to Doctoral Studies in English:  English 70000</title>
				<link>https://commons.gc.cuny.edu/activity/p/426348/</link>
				<pubDate>Wed, 10 Feb 2016 03:48:35 -0500</pubDate>

									<content:encoded><![CDATA[<p>At a certain point I realized I was reading so many “againsts” &#8211; Against Witness, Against Gentrification, and perhaps most importantly this &#8211; “Against Students.” I think Ahmed speaks to a lot of important issues to do with teaching, addressing “difficult issues,” and pinning the failures of institutions onto students. I enjoyed reading this as a w&hellip;<span class="activity-read-more" id="activity-read-more-426348"><a href="https://commons.gc.cuny.edu/activity/p/426348/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>sara deniz akant modified Shirley Jackson at Macy&#039;s in Introduction to Doctoral Studies in English:  English 70000</title>
				<link>https://commons.gc.cuny.edu/activity/p/426345/</link>
				<pubDate>Wed, 10 Feb 2016 03:31:18 -0500</pubDate>

				
				
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				<title>sara deniz akant uploaded Shirley Jackson at Macy&#039;s to Introduction to Doctoral Studies in English:  English 70000</title>
				<link>https://commons.gc.cuny.edu/activity/p/426344/</link>
				<pubDate>Wed, 10 Feb 2016 03:30:45 -0500</pubDate>

									<content:encoded><![CDATA[<p>I mostly read, write, and write about poetry, its true. If I read fiction, I’m drawn to whatever is strange and haunting &#8211; SyFy, speculative fiction, or whatever lives close. After reading Shirley Jackson’s (one might say, ALMOST-YA) novel, “We Have Always Lived in the Castle” this past summer, I was excited to come across this article she wrote i&hellip;<span class="activity-read-more" id="activity-read-more-426344"><a href="https://commons.gc.cuny.edu/activity/p/426344/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Sara Deniz Akant joined the group Introduction to Doctoral Studies in English:  English 70000</title>
				<link>https://commons.gc.cuny.edu/activity/p/425388/</link>
				<pubDate>Mon, 01 Feb 2016 18:55:07 -0500</pubDate>

				
				
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				<title>Sara Deniz Akant commented on the post, Sample Project Proposals, on the site Digital Praxis Seminar Fall 2015 – Spring 2016</title>
				<link>https://dhpraxis15.commons.gc.cuny.edu/2015/12/07/sample-project-proposals/#comment-159</link>
				<pubDate>Tue, 08 Dec 2015 15:40:48 -0500</pubDate>

									<content:encoded><![CDATA[<p>Thanks Matt &#8211; I continue to have trouble checking the Commons site as well as the blog &#8211; this was a helpful reminder (and helps a lot!)</p>
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				<title>Sara Deniz Akant commented on the post, Examples of Project Websites, on the site Digital Praxis Seminar Fall 2015 – Spring 2016</title>
				<link>https://dhpraxis15.commons.gc.cuny.edu/2015/11/30/examples-of-project-websites/#comment-156</link>
				<pubDate>Mon, 07 Dec 2015 17:01:32 -0500</pubDate>

									<content:encoded><![CDATA[<p>Hey Kevin &#8211; These websites look elaborate! Lots of research + site building skills; good to know I couldn’t make one by the end of the semester even if I wanted to. </p>
<p>I wonder if you could also post examples o [&hellip;]</p>
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				<title>Sara Deniz Akant commented on the post, I wish I remembered..., on the site Digital Praxis Seminar Fall 2015 – Spring 2016</title>
				<link>http://dhpraxis15.commons.gc.cuny.edu/2015/11/29/i-wish-i-remembered/#comment-113</link>
				<pubDate>Mon, 30 Nov 2015 03:08:23 -0500</pubDate>

									<content:encoded><![CDATA[<p>Now I’m trying to download LOGO and think of deformance projects with it&#8230; think like, Spirographs&#8230; Spirographs for poetry.</p>
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				<title>Sara Deniz Akant commented on the post, Teaching and Learning with Blogs, on the site Digital Praxis Seminar Fall 2015 – Spring 2016</title>
				<link>https://dhpraxis15.commons.gc.cuny.edu/2015/11/25/teaching-and-learning-with-blogs/#comment-100</link>
				<pubDate>Fri, 27 Nov 2015 23:40:28 -0500</pubDate>

									<content:encoded><![CDATA[<p>Okay! Thanks for the suggestions. Hopefully I can work this out before or when I’m teaching &#8211;</p>
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				<title>Sara Deniz Akant commented on the post, Wordpress II Workshop, on the site Digital Praxis Seminar Fall 2015 – Spring 2016</title>
				<link>http://dhpraxis15.commons.gc.cuny.edu/2015/11/24/wordpress-ii-workshop/#comment-74</link>
				<pubDate>Wed, 25 Nov 2015 17:03:12 -0500</pubDate>

									<content:encoded><![CDATA[<p>Good to know. As I wrote in a recent post, I really want to know how to use WordPress for my own teaching. I’m hoping the “Advanced” class will not be too advanced for me&#8230; I still don’t know about the widgets [&hellip;]</p>
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				<title>Sara Deniz Akant commented on the post, Wordpress Workshop, on the site Digital Praxis Seminar Fall 2015 – Spring 2016</title>
				<link>http://dhpraxis15.commons.gc.cuny.edu/2015/11/25/wordpress-workshop/#comment-73</link>
				<pubDate>Wed, 25 Nov 2015 16:57:31 -0500</pubDate>

									<content:encoded><![CDATA[<p>Aha &#8211; As someone who regrettably missed this workshop, your post about what you learned on Monday is helpful. I managed to convince myself that, since I had used WordPress in teaching before, I could just wait for [&hellip;]</p>
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				<title>Sara Deniz Akant joined the group Poetry and Poetics</title>
				<link>https://commons.gc.cuny.edu/activity/p/421379/</link>
				<pubDate>Mon, 23 Nov 2015 21:53:06 -0500</pubDate>

				
				
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				<title>Sara Deniz Akant commented on the post, Poetry, Appropriation, and the &#034;Avant-Garde&#034;, on the site Digital Praxis Seminar Fall 2015 – Spring 2016</title>
				<link>http://dhpraxis15.commons.gc.cuny.edu/2015/10/25/poetry-appropriation-and-the-avant-garde/#comment-33</link>
				<pubDate>Mon, 26 Oct 2015 16:41:14 -0400</pubDate>

									<content:encoded><![CDATA[<p>Thanks for your reply, Lisa! </p>
<p>I know this post was big &#8211; the questions, and the scope of issues that surrounds them &#8211; once I stepped away I realized how overwhelming it really was (hence the PS addendum). </p>
<p>I [&hellip;]</p>
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				<title>Sara Deniz Akant&#039;s profile was updated</title>
				<link>https://commons.gc.cuny.edu/activity/p/415433/</link>
				<pubDate>Thu, 24 Sep 2015 15:39:31 -0400</pubDate>

				
				
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				<title>Sara Deniz Akant&#039;s profile was updated</title>
				<link>https://commons.gc.cuny.edu/activity/p/412237/</link>
				<pubDate>Thu, 10 Sep 2015 17:40:43 -0400</pubDate>

				
				
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				<title>Sara Deniz Akant became a registered member</title>
				<link>https://commons.gc.cuny.edu/activity/p/410724/</link>
				<pubDate>Wed, 02 Sep 2015 19:39:51 -0400</pubDate>

				
				
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