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	<title>CUNY Academic Commons | Taylor Claire Culbert | Activity</title>
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				<title>Taylor Claire Culbert (she/her) changed their profile picture</title>
				<link>https://commons.gc.cuny.edu/activity/p/798208/</link>
				<pubDate>Tue, 02 Nov 2021 22:46:45 -0400</pubDate>

				
				
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				<title>Taylor Claire Culbert (she/her)&#039;s profile was updated</title>
				<link>https://commons.gc.cuny.edu/activity/p/798207/</link>
				<pubDate>Tue, 02 Nov 2021 22:46:13 -0400</pubDate>

				
				
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				<title>Taylor Claire Culbert (she/her) wrote a new post on the site European Stages</title>
				<link>https://europeanstages.commons.gc.cuny.edu/?p=3504</link>
				<pubDate>Tue, 12 Jun 2018 04:22:01 -0400</pubDate>

									<content:encoded><![CDATA[<p>The most recent premiere of the Theatre of the Eighth Day from Poznań, Poland, Paragraph 196 (Exercises in Terror) is strongly involved in a specific political context: in 2015, the right-wing party Law and [&hellip;] <img loading="lazy" src="https://europeanstages.commons.gc.cuny.edu/wp-content/blogs.dir/1544/files/2018/05/4_-Paragraph-196-exercises-on-terror-1280x640-Photo-Max-Malecki.jpg" /></p>
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				<title>Taylor Claire Culbert (she/her) wrote a new post on the site European Stages</title>
				<link>https://europeanstages.commons.gc.cuny.edu/?p=3634</link>
				<pubDate>Tue, 12 Jun 2018 03:51:15 -0400</pubDate>

									<content:encoded><![CDATA[<p>We regret to announce the passing of two dedicated theatre-goers and reviewers, both of whom have been major long-time contributors to this journal and to its predecessor, Western European Stages.  Glen Loney has [&hellip;] <img loading="lazy" src="http://europeanstages.org/files/2015/06/Segal-Center-logo.jpg" /></p>
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				<title>Taylor Claire Culbert (she/her) wrote a new post on the site European Stages</title>
				<link>https://europeanstages.commons.gc.cuny.edu/?p=3547</link>
				<pubDate>Tue, 12 Jun 2018 03:50:46 -0400</pubDate>

									<content:encoded><![CDATA[<p>Theatre schools came to the city of Brno for the twenty-eighth time to showcase their work. The slogan or theme for 2018 was “losing ground,” an appropriately, allotted foreground to absurd shows. Or, to sim [&hellip;] <img loading="lazy" src="https://europeanstages.commons.gc.cuny.edu/wp-content/blogs.dir/1544/files/2018/05/visit3.jpg" /></p>
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				<title>Taylor Claire Culbert (she/her) wrote a new post on the site European Stages</title>
				<link>https://europeanstages.commons.gc.cuny.edu/?p=3533</link>
				<pubDate>Tue, 12 Jun 2018 03:50:19 -0400</pubDate>

									<content:encoded><![CDATA[<p>Although documentary theatre had not been fully absent from Hungarian stages before 2007, it was only in that year that a definitive trend of this genre started to take shape. It was then that the prestigious [&hellip;] <img loading="lazy" src="https://europeanstages.commons.gc.cuny.edu/wp-content/blogs.dir/1544/files/2018/05/Acadia-phkoto-Kristinz-Csanyu.jpg" /></p>
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				<title>Taylor Claire Culbert (she/her) wrote a new post on the site European Stages</title>
				<link>https://europeanstages.commons.gc.cuny.edu/?p=3543</link>
				<pubDate>Tue, 12 Jun 2018 03:48:53 -0400</pubDate>

									<content:encoded><![CDATA[<p>In the Summer of 2017 as a result of coproduction between Berlin, Poznań, and Warsaw, the Gorki Theater in Berlin presented three notable Polish performances: Hymn to Love by Marta Górnicka, Klątwa by Sta [&hellip;] <img loading="lazy" src="https://europeanstages.commons.gc.cuny.edu/wp-content/blogs.dir/1544/files/2018/05/z21287973V-Hymn-do-milosci-Photo_-Magda-Hueckel.jpg" /></p>
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				<title>Taylor Claire Culbert (she/her) wrote a new post on the site European Stages</title>
				<link>https://europeanstages.commons.gc.cuny.edu/?p=3647</link>
				<pubDate>Tue, 12 Jun 2018 03:48:23 -0400</pubDate>

									<content:encoded><![CDATA[<p>Berlin’s 2018 Theatertreffen featured a strong lineup of both classical as well as new theatrical works that commented on world politics, social mores, gender, and the way we deal with the past. This season’s fes [&hellip;] <img loading="lazy" src="https://europeanstages.commons.gc.cuny.edu/wp-content/blogs.dir/1544/files/2018/06/Theater-Basels-Cast-of-WOYZECK.jpg" /></p>
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				<title>Taylor Claire Culbert (she/her) wrote a new post on the site European Stages</title>
				<link>https://europeanstages.commons.gc.cuny.edu/?p=3495</link>
				<pubDate>Tue, 12 Jun 2018 03:47:44 -0400</pubDate>

									<content:encoded><![CDATA[<p>Christoph Marthaler has made his career devising theatre pieces that amalgamate text, music, and movement to do heavy philosophical lifting with a wicked sense of humor. Through these he has succeeded in creating [&hellip;] <img loading="lazy" src="https://europeanstages.commons.gc.cuny.edu/wp-content/blogs.dir/1544/files/2018/05/Photo-4.jpg" /></p>
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				<title>Taylor Claire Culbert (she/her) wrote a new post on the site European Stages</title>
				<link>https://europeanstages.commons.gc.cuny.edu/?p=3488</link>
				<pubDate>Tue, 12 Jun 2018 03:47:12 -0400</pubDate>

									<content:encoded><![CDATA[<p>Eirik Stubø is a Norwegian theatre director awarded for his Wild Duck production shown in New York in 2006. He is currently working for Sweden’s national theatre, The Royal Dramatic Theatre, as an artistic and ma [&hellip;] <img loading="lazy" src="https://europeanstages.commons.gc.cuny.edu/wp-content/blogs.dir/1544/files/2018/05/OedipusAntigone-1.jpg" /></p>
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				<title>Taylor Claire Culbert (she/her) wrote a new post on the site European Stages</title>
				<link>https://europeanstages.commons.gc.cuny.edu/?p=3526</link>
				<pubDate>Tue, 12 Jun 2018 03:46:12 -0400</pubDate>

									<content:encoded><![CDATA[<p>During recent years, theatre in Turkey has been generally prosperous. Spectators can find various trends, theatrical forms, and new dramaturgical and narrative techniques during a season, especially if they attend [&hellip;] <img loading="lazy" src="https://europeanstages.commons.gc.cuny.edu/wp-content/blogs.dir/1544/files/2018/05/Photo-4-1.jpg" /></p>
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				<title>Taylor Claire Culbert (she/her) wrote a new post on the site European Stages</title>
				<link>https://europeanstages.commons.gc.cuny.edu/?p=3486</link>
				<pubDate>Tue, 12 Jun 2018 03:06:10 -0400</pubDate>

									<content:encoded><![CDATA[<p>I first heard of Motus in 2000 or 2001 when Hanon Reznikov, Judith Malina, and I drove down the Apennine hills from our residency in Rocchetta Ligure (1999 – 2004) to see a new avant-garde group named Motus p [&hellip;] <img loading="lazy" src="https://europeanstages.commons.gc.cuny.edu/wp-content/blogs.dir/1544/files/2018/06/11MDLSX-SUB-master768-Photo_-Michelle-V.-Agins2FThe-New-York-Times.jpg" /></p>
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				<title>Taylor Claire Culbert (she/her) wrote a new post on the site European Stages</title>
				<link>https://europeanstages.commons.gc.cuny.edu/?p=3513</link>
				<pubDate>Sat, 02 Jun 2018 17:24:19 -0400</pubDate>

									<content:encoded><![CDATA[<p>Report from Vienna of 2017, the Austrian Minister of Culture made a long-awaited and much approved announcement, the appointment of Martin Kušej as the new director of Austria’s most important venue, the Bu [&hellip;] <img loading="lazy" src="https://europeanstages.commons.gc.cuny.edu/wp-content/blogs.dir/1544/files/2018/05/Ibsen-3.jpg" /></p>
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				<title>Taylor Claire Culbert (she/her) wrote a new post on the site European Stages</title>
				<link>http://europeanstages.org/?p=3274</link>
				<pubDate>Sat, 28 Oct 2017 23:34:07 -0400</pubDate>

									<content:encoded><![CDATA[<p>There is a new tendency in Hungarian theatre for reinterpreting the notion of psychological realism and, at the same time, offering a new perspective on the good old topic of bourgeois drama: &#8220;family”. There is n [&hellip;] <img loading="lazy" src="https://europeanstages.commons.gc.cuny.edu/wp-content/blogs.dir/1544/files/2017/10/Kalman-day.jpg" /></p>
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				<title>Taylor Claire Culbert (she/her) wrote a new post on the site European Stages</title>
				<link>http://europeanstages.org/?p=3251</link>
				<pubDate>Sat, 28 Oct 2017 23:30:01 -0400</pubDate>

									<content:encoded><![CDATA[<p>Heddadagene is a brand-new theatre festival in Oslo where twenty-nine theatres joined together to present a new theatre experience from all over Norway, during June of 2017. Thanks to the festival director Åslaug [&hellip;] <img loading="lazy" src="https://europeanstages.commons.gc.cuny.edu/wp-content/blogs.dir/1544/files/2017/10/Screen-Shot-2017-10-27-at-11.20.28-AM-1.png" /></p>
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				<title>Taylor Claire Culbert (she/her) wrote a new post on the site European Stages</title>
				<link>http://europeanstages.org/?p=3249</link>
				<pubDate>Sat, 28 Oct 2017 21:56:14 -0400</pubDate>

									<content:encoded><![CDATA[<p>Swiss-speaking Germany is sometimes overlooked in considerations of the contemporary Germany stage, but the frequent appearance of Swiss productions in the annual Berlin Theatertreffen is evidence of the [&hellip;] <img loading="lazy" src="https://europeanstages.commons.gc.cuny.edu/wp-content/blogs.dir/1544/files/2017/10/GrimmigeMaerchen_photo-Tanja-Dorendorf-2.jpg" /></p>
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				<title>Taylor Claire Culbert (she/her) wrote a new post on the site European Stages</title>
				<link>http://europeanstages.org/?p=3295</link>
				<pubDate>Sat, 28 Oct 2017 21:24:20 -0400</pubDate>

									<content:encoded><![CDATA[<p>The Russian-language press thoroughly covered Oedipus Rex by Rimas Tuminas after it opened in the ancient Greek city of Epidaurus (29 July 2016), and after its Russian premiere at the Vakhtangov Theatre in Moscow [&hellip;] <img loading="lazy" src="https://europeanstages.commons.gc.cuny.edu/wp-content/blogs.dir/1544/files/2017/10/Oedipus-at-Vak.jpg" /></p>
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				<title>Taylor Claire Culbert (she/her) wrote a new post on the site European Stages</title>
				<link>http://europeanstages.org/?p=3181</link>
				<pubDate>Sat, 28 Oct 2017 20:12:50 -0400</pubDate>

									<content:encoded><![CDATA[<p>The following reports back on the 2015 edition of the Reims Scènes d’Europe (literally: Reims Stages Europe) theatre festival, which has grown to become a leading counterpoint to the more established summer ga [&hellip;] <img loading="lazy" src="https://europeanstages.commons.gc.cuny.edu/wp-content/blogs.dir/1544/files/2017/10/1914-ph-Opera-de-Reims.jpg" /></p>
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				<title>Taylor Claire Culbert (she/her) wrote a new post on the site European Stages</title>
				<link>http://europeanstages.org/?p=3204</link>
				<pubDate>Sat, 28 Oct 2017 20:12:18 -0400</pubDate>

									<content:encoded><![CDATA[<p>Berlin is feeling more and more like Avignon or Edinburgh. The Theatertreffen, the major theater festival for the German-speaking world, is structured around inviting the ten “most noteworthy” productions of the [&hellip;] <img loading="lazy" src="https://europeanstages.commons.gc.cuny.edu/wp-content/blogs.dir/1544/files/2017/10/3-sisters-photo_sandra_then.jpg" /></p>
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				<title>Taylor Claire Culbert (she/her) wrote a new post on the site European Stages</title>
				<link>http://europeanstages.org/?p=3253</link>
				<pubDate>Sat, 28 Oct 2017 20:11:14 -0400</pubDate>

									<content:encoded><![CDATA[<p>It’s a crisp, remarkably rainless evening for the beginning of September at The Globe Theatre in London, as the audience wiggles and shifts in anticipation of Matthew Dunster’s reimagining of Much Ado About Not [&hellip;] <img loading="lazy" src="https://europeanstages.commons.gc.cuny.edu/wp-content/blogs.dir/1544/files/2017/10/NOT-I-Beckett-Thom-Edinburgh-Fringe-James-Lindsay-Photo-3.jpg" /></p>
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				<title>Taylor Claire Culbert (she/her) wrote a new post on the site European Stages</title>
				<link>http://europeanstages.org/?p=3171</link>
				<pubDate>Sat, 28 Oct 2017 20:10:29 -0400</pubDate>

									<content:encoded><![CDATA[<p>Almagro is Spain’s largest and oldest classical theatre festival, bringing fifty-two productions to this small, picturesque town in Castilla la Mancha for its 40th edition. Five productions from Spain’s Com [&hellip;] <img loading="lazy" src="https://europeanstages.commons.gc.cuny.edu/wp-content/blogs.dir/1544/files/2017/10/5_©J_Alberto-PuertasPerfomance-across-the-Plaza-Mayor-Central-Square.jpg" /></p>
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				<title>Taylor Claire Culbert (she/her) wrote a new post on the site European Stages</title>
				<link>http://europeanstages.org/?p=3194</link>
				<pubDate>Sat, 28 Oct 2017 20:09:39 -0400</pubDate>

									<content:encoded><![CDATA[<p>Sibiu, where the third biggest international theatre festival in Europe takes place, is a city with approximately 150,000 citizens and constant cultural life, blossoming in the heart of Transylvania, Romania. The [&hellip;] <img loading="lazy" src="https://europeanstages.commons.gc.cuny.edu/wp-content/blogs.dir/1544/files/2017/10/Delbono-Vagelo-photo-Luca-del-Pia.jpg" /></p>
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				<title>Taylor Claire Culbert (she/her) wrote a new post on the site European Stages</title>
				<link>http://europeanstages.org/?p=3143</link>
				<pubDate>Sat, 28 Oct 2017 20:08:54 -0400</pubDate>

									<content:encoded><![CDATA[<p>Ophelia is in her room, sewing. Enter Hamlet. He takes her “by the wrist” and holds her “hard.” Really hard. Clearly it hurts. He shakes her. Then he extends his arm, leaning back to look, and “falls to such peru [&hellip;] <img loading="lazy" src="https://europeanstages.commons.gc.cuny.edu/wp-content/blogs.dir/1544/files/2017/10/De-Meiden-1.jpg" /></p>
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				<title>Taylor Claire Culbert (she/her) wrote a new post on the site European Stages</title>
				<link>http://europeanstages.org/?p=3150</link>
				<pubDate>Sat, 28 Oct 2017 20:03:31 -0400</pubDate>

									<content:encoded><![CDATA[<p>The B*easts (2017) is a play about the consequences that ripple through and reshape the life of the eight-year-old Lila and her mother, Karen, when Lila gets breast implants. In erasing one letter, and replacing [&hellip;] <img loading="lazy" src="https://europeanstages.commons.gc.cuny.edu/wp-content/blogs.dir/1544/files/2017/10/the-beasts-feature-photo.jpg" /></p>
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				<title>Taylor Claire Culbert (she/her) wrote a new post on the site European Stages</title>
				<link>http://europeanstages.org/?p=3222</link>
				<pubDate>Sat, 28 Oct 2017 19:55:42 -0400</pubDate>

									<content:encoded><![CDATA[<p>&#8220;The role of the artist is to ask questions, not answer them.&#8221; One of the most quoted of Chekhov&#8217;s statements seems to contradict the habit of the organizers to include in cultural programs those familiar [&hellip;] <img loading="lazy" src="https://europeanstages.commons.gc.cuny.edu/wp-content/blogs.dir/1544/files/2017/10/3-Ruxandra-Maniu-and-Alexandru-Potocean-photo-by-Adi-Bulboacă.jpg" /></p>
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				<title>Taylor Claire Culbert (she/her) wrote a new post on the site European Stages</title>
				<link>http://europeanstages.org/?p=3159</link>
				<pubDate>Sat, 28 Oct 2017 19:53:38 -0400</pubDate>

									<content:encoded><![CDATA[<p>There has been something in Madrid’s theatre that has seen a return to the spirit of the Greeks: plays inspired by or adapted from classical tragedies that ask fundamental questions about what democracy means a [&hellip;] <img loading="lazy" src="https://europeanstages.commons.gc.cuny.edu/wp-content/blogs.dir/1544/files/2017/10/4_-Delgado-MadridTdlC-ANTIGONA_557_Fotograf°aLuisCastilla_elNorteCyC.jpg" /></p>
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				<title>Taylor Claire Culbert (she/her) wrote a new post on the site European Stages</title>
				<link>http://europeanstages.org/?p=3255</link>
				<pubDate>Sat, 28 Oct 2017 19:52:05 -0400</pubDate>

									<content:encoded><![CDATA[<p>The Kunstenfestivaldesarts 2017, directed and curated by Christophe Slagmuylder, is an outstanding transdisciplinary arts festival, showcasing many new creations, often produced by the festival itself. Those [&hellip;] <img loading="lazy" src="https://europeanstages.commons.gc.cuny.edu/wp-content/blogs.dir/1544/files/2017/10/danse-de-nuit.jpg" /></p>
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				<title>Taylor Claire Culbert (she/her) wrote a new post on the site European Stages</title>
				<link>http://europeanstages.org/?p=3302</link>
				<pubDate>Sat, 28 Oct 2017 19:48:31 -0400</pubDate>

									<content:encoded><![CDATA[<p>Among the wide range of diverse offerings that I attended at this year’s Avignon festival, I was struck by a recurring theme, the theme of exile and its devastating effects on characters torn from home and f [&hellip;] <img loading="lazy" src="https://europeanstages.commons.gc.cuny.edu/wp-content/blogs.dir/1544/files/2017/10/antigone_2.jpg" /></p>
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				<title>Taylor Claire Culbert (she/her) wrote a new post on the site European Stages</title>
				<link>http://europeanstages.org/?p=3281</link>
				<pubDate>Fri, 27 Oct 2017 17:06:10 -0400</pubDate>

									<content:encoded><![CDATA[<p>The Trafó House of Contemporary Arts is one of the leading producers of experimental theatre work in Budapest. In May of 2017 it offered an unusual piece of documentary theatre, Long Live Regina!. The performers [&hellip;] <img loading="lazy" src="https://europeanstages.commons.gc.cuny.edu/wp-content/blogs.dir/1544/files/2017/10/Szívhang_Trafó_fotó_Csoszó-Gabriella_2017.04.28-41.jpg" /></p>
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				<title>Taylor Claire Culbert (she/her) joined the group Teaching and Learning Center</title>
				<link>https://commons.gc.cuny.edu/activity/p/467677/</link>
				<pubDate>Fri, 25 Aug 2017 15:58:06 -0400</pubDate>

				
				
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				<title>Taylor Claire Culbert (she/her) joined the group Renaissance Studies</title>
				<link>https://commons.gc.cuny.edu/activity/p/467676/</link>
				<pubDate>Fri, 25 Aug 2017 15:57:07 -0400</pubDate>

				
				
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				<title>Taylor Claire Culbert (she/her) became a registered member</title>
				<link>https://commons.gc.cuny.edu/activity/p/467674/</link>
				<pubDate>Fri, 25 Aug 2017 15:56:03 -0400</pubDate>

				
				
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