<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>CUNY Academic Commons | Rio Takahashi | Activity</title>
	<link>https://commons.gc.cuny.edu/members/takahashirio/activity/</link>
	<atom:link href="https://commons.gc.cuny.edu/members/takahashirio/activity/feed/" rel="self" type="application/rss+xml" />
	<description>Activity feed for Rio Takahashi.</description>
	<lastBuildDate>Sat, 01 Jan 2050 18:00:18 -0500</lastBuildDate>
	<generator>https://buddypress.org/?v=</generator>
	<language>en</language>
	<ttl>30</ttl>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>2</sy:updateFrequency>
	
						<item>
				<guid isPermaLink="false">da58e34b5bc6e6f563bed52b0d1b9639</guid>
				<title>Rio Takahashi (they/them) commented on the post, Comedy of the Mexican Golden Age of Cinema - Grace Tapia &#038; Rio Takahashi, on the site Selected Directors: Luis Buñuel</title>
				<link>https://film23106.commons.gc.cuny.edu/2025/12/16/comedy-of-the-mexican-golden-age-of-cinema-grace-tapia-rio-takahashi/#comment-2911</link>
				<pubDate>Wed, 17 Dec 2025 00:02:35 -0500</pubDate>

									<content:encoded><![CDATA[<p>Bibliography (MLA)    Acevedo-Muñoz, Ernesto R. Buñuel and Mexico: the Crisis of National Cinema. E-book, Berkeley: University of California Press, 2003, h [&hellip;]</p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">4a3c3fda190ca847bb82081451de9d69</guid>
				<title>Rio Takahashi (they/them) wrote a new post on the site Selected Directors: Luis Buñuel</title>
				<link>https://film23106.commons.gc.cuny.edu/?p=3779</link>
				<pubDate>Tue, 16 Dec 2025 18:23:18 -0500</pubDate>

									<content:encoded><![CDATA[<p><strong><a href="https://film23106.commons.gc.cuny.edu/?p=3779" rel="nofollow ugc">Comedy of the Mexican Golden Age of Cinema &#8211; Grace Tapia &amp; Rio Takahashi</a></strong><a href="https://film23106.commons.gc.cuny.edu/?p=3779" rel="nofollow ugc"><img loading="lazy" src="https://s3.amazonaws.com/files.commons.gc.cuny.edu/wp-content/blogs.dir/43871/files/2025/12/image-8-1024x640.png" /></a> Introduction        La ilusión viaja en tranvía (Illusion Travels by Streetcar) (1954) by Luis Buñuel and El analfabeto (The Illiterate On <a href="https://film23106.commons.gc.cuny.edu/?p=3779" rel="nofollow ugc"><span>[&hellip;]</span></a></p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">2fffdb2fc88e2b5988c4870939186589</guid>
				<title>Rio Takahashi (they/them) wrote a new post on the site Selected Directors: Luis Buñuel</title>
				<link>https://film23106.commons.gc.cuny.edu/?p=3433</link>
				<pubDate>Sun, 16 Nov 2025 01:09:20 -0500</pubDate>

									<content:encoded><![CDATA[<p><strong><a href="https://film23106.commons.gc.cuny.edu/?p=3433" rel="nofollow ugc">Week 9 &#8211; Rio Takahashi</a></strong>I enjoyed reading the interview between Bunuel and Colina from Objects of Desire about La Mort en ce jardin (1956) because of his own <a href="https://film23106.commons.gc.cuny.edu/?p=3433" rel="nofollow ugc"><span>[&hellip;]</span></a></p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">366cf15a952aa49a94f5d743b002691d</guid>
				<title>Rio Takahashi (they/them) wrote a new post on the site Selected Directors: Luis Buñuel</title>
				<link>https://film23106.commons.gc.cuny.edu/?p=3425</link>
				<pubDate>Sun, 16 Nov 2025 00:04:19 -0500</pubDate>

									<content:encoded><![CDATA[<p><strong><a href="https://film23106.commons.gc.cuny.edu/?p=3425" rel="nofollow ugc">Tristana &#8211; Rio Takahashi</a></strong>Discussing Tristana (1970) by looking at Memoirs of a Woman Without a Piano in the beginning of class was very thought provoking. I had not <a href="https://film23106.commons.gc.cuny.edu/?p=3425" rel="nofollow ugc"><span>[&hellip;]</span></a></p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">dacb61f50a9cd77929fcc711a7df8c05</guid>
				<title>Rio Takahashi (they/them) wrote a new post on the site Selected Directors: Luis Buñuel</title>
				<link>https://film23106.commons.gc.cuny.edu/?p=2909</link>
				<pubDate>Thu, 02 Oct 2025 17:09:43 -0400</pubDate>

									<content:encoded><![CDATA[<p><strong><a href="https://film23106.commons.gc.cuny.edu/?p=2909" rel="nofollow ugc">Week 4 – Rio Takahashi</a></strong>It is astounding to me how Bunuel was capable of capturing aspects of American society and oppression in The Young One with his limited <a href="https://film23106.commons.gc.cuny.edu/?p=2909" rel="nofollow ugc"><span>[&hellip;]</span></a></p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">42da52ef5a1fa522de5eed4071e0f47d</guid>
				<title>Rio Takahashi (they/them) wrote a new post on the site Selected Directors: Luis Buñuel</title>
				<link>https://film23106.commons.gc.cuny.edu/?p=2793</link>
				<pubDate>Sat, 20 Sep 2025 21:41:55 -0400</pubDate>

									<content:encoded><![CDATA[<p><strong><a href="https://film23106.commons.gc.cuny.edu/?p=2793" rel="nofollow ugc">Weekly Response #3</a></strong>Land Without Bread was incredibly interesting after the previous few classes which focused more heavily on Bunuel’s surrealist work. D <a href="https://film23106.commons.gc.cuny.edu/?p=2793" rel="nofollow ugc"><span>[&hellip;]</span></a></p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">71d5fa13cf208f2b6c819bb8f421d145</guid>
				<title>Rio Takahashi (they/them) became a registered member</title>
				<link>https://commons.gc.cuny.edu/activity/p/1093475/</link>
				<pubDate>Fri, 05 Sep 2025 03:52:32 -0400</pubDate>

				
				
							</item>
		
	</channel>
</rss>