<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>CUNY Academic Commons | Stephen Cedars | Activity</title>
	<link>https://commons.gc.cuny.edu/members/scedars/activity/</link>
	<atom:link href="https://commons.gc.cuny.edu/members/scedars/activity/feed/" rel="self" type="application/rss+xml" />
	<description>Activity feed for Stephen Cedars.</description>
	<lastBuildDate>Sat, 01 Jan 2050 18:00:18 -0500</lastBuildDate>
	<generator>https://buddypress.org/?v=</generator>
	<language>en</language>
	<ttl>30</ttl>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>2</sy:updateFrequency>
	
						<item>
				<guid isPermaLink="false">b667e9944f5958fdc441e7259792c4d8</guid>
				<title>Stephen Cedars created the site Astor Play</title>
				<link>https://commons.gc.cuny.edu/activity/p/784918/</link>
				<pubDate>Tue, 14 Sep 2021 19:20:17 -0400</pubDate>

				
				
							</item>
					<item>
				<guid isPermaLink="false">d3a754dc5cc97318e6283fefd8f49bed</guid>
				<title>Stephen Cedars joined the group Sound Studies and Methods Working Group #GCDISound</title>
				<link>https://commons.gc.cuny.edu/activity/p/699558/</link>
				<pubDate>Thu, 17 Sep 2020 14:13:16 -0400</pubDate>

				
				
							</item>
					<item>
				<guid isPermaLink="false">6cbab29dda76c622a4ea379b46af5697</guid>
				<title>Stephen Cedars wrote a new post on the site European Stages</title>
				<link>https://europeanstages.commons.gc.cuny.edu/?p=4362</link>
				<pubDate>Tue, 05 Nov 2019 15:39:49 -0500</pubDate>

									<content:encoded><![CDATA[<p>Tbilisi, the capital of Georgia. A concentration of all imaginable issues burdening the conflicted Georgians. Emerging from all parts of the country, the problems eventually travel all the way to Rustaveli Avenue [&hellip;] <img loading="lazy" src="https://europeanstages.commons.gc.cuny.edu/wp-content/blogs.dir/1544/files/2019/11/Group-Sized.jpg" /></p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">0b2b34ffba3fdcd9b80720abcd2956a6</guid>
				<title>Stephen Cedars wrote a new post on the site European Stages</title>
				<link>https://europeanstages.commons.gc.cuny.edu/?p=4324</link>
				<pubDate>Tue, 05 Nov 2019 15:36:40 -0500</pubDate>

									<content:encoded><![CDATA[<p>The show begins as a mini-spectacle: from the sound system, a loud scream and a roaring horror march of brass instruments and bass drums. Greenish spotlights shift in time to the beat, as though conducted by the [&hellip;] <img loading="lazy" src="https://europeanstages.commons.gc.cuny.edu/wp-content/blogs.dir/1544/files/2019/11/Bryony-IAPB-image-1-credit-the-other-richard-RESIZED.jpg" /></p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">bcfc8aa8a3e6821d023408eb1f81df1e</guid>
				<title>Stephen Cedars wrote a new post on the site European Stages</title>
				<link>https://europeanstages.commons.gc.cuny.edu/?p=4327</link>
				<pubDate>Tue, 05 Nov 2019 15:34:57 -0500</pubDate>

									<content:encoded><![CDATA[<p>London spectators interested in Ibsen had a special treat offered them this September, two of Ibsen’s most popular works revived in highly innovative productions at London’s two most heavily supported the [&hellip;] <img loading="lazy" src="https://europeanstages.commons.gc.cuny.edu/wp-content/blogs.dir/1544/files/2019/11/DollsHouse243-1013x675-RESIZED.jpg" /></p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">068463fc863d4f591f4972c0011ef3b3</guid>
				<title>Stephen Cedars wrote a new post on the site European Stages</title>
				<link>https://europeanstages.commons.gc.cuny.edu/?p=4329</link>
				<pubDate>Tue, 05 Nov 2019 15:34:23 -0500</pubDate>

									<content:encoded><![CDATA[<p>The theme of the seventy-third Avignon festival was Odysseys, from classical references to contemporary interpretations, from Kevin Keiss and Maëlle Poésy’s free adaptation of Virgil’s Aeneid, focusing on Aenea [&hellip;] <img loading="lazy" src="https://europeanstages.commons.gc.cuny.edu/wp-content/blogs.dir/1544/files/2019/11/Ordinary-People-Photo-Avignon-Festival-RESIZED.jpg" /></p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">a18e195df9b1beea6609af3359637c49</guid>
				<title>Stephen Cedars wrote a new post on the site European Stages</title>
				<link>https://europeanstages.commons.gc.cuny.edu/?p=4331</link>
				<pubDate>Tue, 05 Nov 2019 14:55:37 -0500</pubDate>

									<content:encoded><![CDATA[<p>London’s theatrical scene at the end of 2018 seemed centered on a response to the year’s many #MeToo revelations and newspaper headlines. I saw over a dozen plays in three weeks, while taking a group of stu [&hellip;] <img loading="lazy" src="https://europeanstages.commons.gc.cuny.edu/wp-content/blogs.dir/1544/files/2019/11/RESIZE-Photo-7-HADESTOWN-at-National-Theatre-photo-by-Helen-Maybanks.jpg" /></p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">63318d930e3700ab357f96fb930e65bb</guid>
				<title>Stephen Cedars became a registered member</title>
				<link>https://commons.gc.cuny.edu/activity/p/587176/</link>
				<pubDate>Tue, 27 Aug 2019 22:33:11 -0400</pubDate>

				
				
							</item>
		
	</channel>
</rss>