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	<title>CUNY Academic Commons | Samihah S. | Activity</title>
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				<title>Samihah S. commented on the post, June 30 Postnatural, on the site Art in Times of Environmental Crises</title>
				<link>https://ecoartcrises.commons.gc.cuny.edu/postnatural/#comment-1485</link>
				<pubDate>Wed, 15 Jul 2026 15:52:07 -0400</pubDate>

									<content:encoded><![CDATA[<p>Thought it was super interesting how you connected the Maja Skreker artwork to the concept of milk siblings &amp; breastfeeding as a way to establish kinship in Islam. It reminded me of the theme in the lecture of [&hellip;]</p>
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				<title>Samihah S. commented on the post, June 30 Postnatural, on the site Art in Times of Environmental Crises</title>
				<link>https://ecoartcrises.commons.gc.cuny.edu/postnatural/#comment-1483</link>
				<pubDate>Wed, 15 Jul 2026 15:28:01 -0400</pubDate>

									<content:encoded><![CDATA[<p>I appreciated that this week&#8217;s lecture invited us to critically examine what it means for something to be &#8220;natural,&#8221; and to think about what it means if our conception of nature &amp; the natural is something [&hellip;]</p>
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				<title>Samihah S. commented on the post, June 25 Climate Refugees, on the site Art in Times of Environmental Crises</title>
				<link>https://ecoartcrises.commons.gc.cuny.edu/climate-refugees/#comment-1477</link>
				<pubDate>Wed, 15 Jul 2026 02:42:56 -0400</pubDate>

									<content:encoded><![CDATA[<p>Something that stood out to me from the reading this week by T.J. Demos was the idea of the &#8216;cinema of liberalism.&#8217; Demos critiques Ai Weiwei&#8217;s &#8216;Human Flow&#8217; when he says, &#8220;Human Flow ultimately defines a cinema of [&hellip;]</p>
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				<title>Samihah S. commented on the post, June 18 Slow Violence, on the site Art in Times of Environmental Crises</title>
				<link>https://ecoartcrises.commons.gc.cuny.edu/slow-violence/#comment-1389</link>
				<pubDate>Tue, 23 Jun 2026 21:11:13 -0400</pubDate>

									<content:encoded><![CDATA[<p>I thought this was a really important analysis and perspective on how genocide is committed simultaneously through &#8220;fast&#8221; and slow violence, and is also tied to economic conditions (like the example you gave of [&hellip;]</p>
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				<title>Samihah S. commented on the post, June 18 Slow Violence, on the site Art in Times of Environmental Crises</title>
				<link>https://ecoartcrises.commons.gc.cuny.edu/slow-violence/#comment-1387</link>
				<pubDate>Tue, 23 Jun 2026 21:03:51 -0400</pubDate>

									<content:encoded><![CDATA[<p>One piece of artwork that stood out to me from this week&#8217;s lecture was Martha Rosler&#8217;s &#8220;B-52 in Baby&#8217;s Tears&#8221; (1972) depicting a grassy field with one section in the shape of an airplane completely blackened and [&hellip;]</p>
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				<title>Samihah S. commented on the post, June 16 Animals, on the site Art in Times of Environmental Crises</title>
				<link>https://ecoartcrises.commons.gc.cuny.edu/animals/#comment-1351</link>
				<pubDate>Thu, 18 Jun 2026 11:33:37 -0400</pubDate>

									<content:encoded><![CDATA[<p>A piece of artwork that really stood out to me from this week&#8217;s lecture was Mishka Henner&#8217;s 2013 aerial drone photographs of feedyards in Texas. Seeing the huge gray-brown plots of land dotted with tiny cows next [&hellip;]</p>
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				<title>Samihah S. commented on the post, June 9 Fossil Fuels, on the site Art in Times of Environmental Crises</title>
				<link>https://ecoartcrises.commons.gc.cuny.edu/june-9-fossil-fuels/#comment-1323</link>
				<pubDate>Wed, 10 Jun 2026 19:37:45 -0400</pubDate>

									<content:encoded><![CDATA[<p>&#8220;This made me think about how art can function as a tool for making invisible systems visible.&#8221; I really like that concept!</p>
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				<title>Samihah S. commented on the post, June 9 Fossil Fuels, on the site Art in Times of Environmental Crises</title>
				<link>https://ecoartcrises.commons.gc.cuny.edu/june-9-fossil-fuels/#comment-1321</link>
				<pubDate>Wed, 10 Jun 2026 10:26:51 -0400</pubDate>

									<content:encoded><![CDATA[<p>One of the works that stood out to me from today&#8217;s lecture was Kader Attia&#8217;s &#8220;Oil and Sugar&#8221; (2007.) As a Muslim, I immediately recognized the shape of the stacked sugar cubes as evocative of the Kaaba in Mecca, [&hellip;]</p>
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				<title>Samihah S. commented on the post, June 4 When Are We?, on the site Art in Times of Environmental Crises</title>
				<link>https://ecoartcrises.commons.gc.cuny.edu/when-are-we/#comment-1259</link>
				<pubDate>Fri, 05 Jun 2026 05:13:21 -0400</pubDate>

									<content:encoded><![CDATA[<p>I feel like you made a really interesting point about religion adding to the binary between human vs. (non-human) animal and I like that you gave the example of how in Christianity, man was formed in the &#8216;image&#8217; [&hellip;]</p>
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				<title>Samihah S. commented on the post, June 4 When Are We?, on the site Art in Times of Environmental Crises</title>
				<link>https://ecoartcrises.commons.gc.cuny.edu/when-are-we/#comment-1257</link>
				<pubDate>Fri, 05 Jun 2026 05:06:05 -0400</pubDate>

									<content:encoded><![CDATA[<p>One idea that I found interesting from the readings was that although &#8216;anthropocene&#8217; has become a widely recognized and now used term among scientists and geologists, geologists have varying opinions on whether [&hellip;]</p>
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				<title>Samihah S. changed their profile picture</title>
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				<pubDate>Sat, 02 Sep 2023 04:10:27 -0400</pubDate>

				
				
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				<title>Samihah S.&#039;s profile was updated</title>
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				<pubDate>Sat, 02 Sep 2023 04:07:09 -0400</pubDate>

				
				
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				<title>Samihah S.&#039;s profile was updated</title>
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				<pubDate>Fri, 10 Feb 2023 06:33:07 -0500</pubDate>

				
				
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				<title>Samihah S. changed their profile picture</title>
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				<pubDate>Fri, 10 Feb 2023 06:32:36 -0500</pubDate>

				
				
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				<title>Samihah S.&#039;s profile was updated</title>
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				<pubDate>Mon, 17 May 2021 15:55:09 -0400</pubDate>

				
				
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				<title>Samihah S.&#039;s profile was updated</title>
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				<pubDate>Sun, 21 Feb 2021 16:23:42 -0500</pubDate>

				
				
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				<title>Samihah S. changed their profile picture</title>
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				<pubDate>Sun, 22 Dec 2019 18:41:30 -0500</pubDate>

				
				
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				<title>Samihah S. became a registered member</title>
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				<pubDate>Wed, 13 Nov 2019 21:10:43 -0500</pubDate>

				
				
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