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	<title>CUNY Academic Commons | Maribel Gomez | Activity</title>
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				<title>Maribel Gomez (She/Her) wrote a new post on the site Selected Directors: Luis Buñuel</title>
				<link>https://film23106.commons.gc.cuny.edu/?p=3745</link>
				<pubDate>Fri, 12 Dec 2025 23:51:00 -0500</pubDate>

									<content:encoded><![CDATA[<p><strong><a href="https://film23106.commons.gc.cuny.edu/?p=3745" rel="nofollow ugc">Fraternal Twin Plots: Los Olvidados and The Outsiders</a></strong><a href="https://film23106.commons.gc.cuny.edu/?p=3745" rel="nofollow ugc"><img loading="lazy" src="https://s3.amazonaws.com/files.commons.gc.cuny.edu/wp-content/blogs.dir/43871/files/2025/12/image-22-1024x576.jpeg" /></a> Group: Noah McCarthy and Maribel Gomez    Stories about juvenile struggles have flourished in American cinema since the fifties first <a href="https://film23106.commons.gc.cuny.edu/?p=3745" rel="nofollow ugc"><span>[&hellip;]</span></a></p>
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				<title>Maribel Gomez (She/Her) wrote a new post on the site Selected Directors: Luis Buñuel</title>
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				<pubDate>Thu, 20 Nov 2025 17:43:19 -0500</pubDate>

									<content:encoded><![CDATA[<p><strong><a href="https://film23106.commons.gc.cuny.edu/?p=3467" rel="nofollow ugc">Weekly Response #11- Maribel Gomez</a></strong>When watching the documentary, A Woman Without a Piano Tribute, my thoughts were about how society has changed, where now women don&#8217;t have <a href="https://film23106.commons.gc.cuny.edu/?p=3467" rel="nofollow ugc"><span>[&hellip;]</span></a></p>
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				<title>Maribel Gomez (She/Her) wrote a new post on the site Selected Directors: Luis Buñuel</title>
				<link>https://film23106.commons.gc.cuny.edu/?p=3333</link>
				<pubDate>Mon, 17 Nov 2025 22:40:00 -0500</pubDate>

									<content:encoded><![CDATA[<p><strong><a href="https://film23106.commons.gc.cuny.edu/?p=3333" rel="nofollow ugc">Weekly Response #9- Maribel Gomez</a></strong>In Luis Buñuel&#8217;s film, Death in the Garden (La Mort en ce Jardin, 1956), the theme revolves around transnationalism and survival. The term, <a href="https://film23106.commons.gc.cuny.edu/?p=3333" rel="nofollow ugc"><span>[&hellip;]</span></a></p>
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				<title>Maribel Gomez (She/Her) wrote a new post on the site Selected Directors: Luis Buñuel</title>
				<link>https://film23106.commons.gc.cuny.edu/?p=3199</link>
				<pubDate>Mon, 20 Oct 2025 22:32:00 -0400</pubDate>

									<content:encoded><![CDATA[<p><strong><a href="https://film23106.commons.gc.cuny.edu/?p=3199" rel="nofollow ugc">Weekly Response #8- Maribel Gomez</a></strong>The screenings we examined in week 8 were Simon of the Desert (1965) and El Angel Exterminador (1962). Firstly, in the sequences of Simon of <a href="https://film23106.commons.gc.cuny.edu/?p=3199" rel="nofollow ugc"><span>[&hellip;]</span></a></p>
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				<title>Maribel Gomez (She/Her) wrote a new post on the site Selected Directors: Luis Buñuel</title>
				<link>https://film23106.commons.gc.cuny.edu/?p=3131</link>
				<pubDate>Thu, 16 Oct 2025 20:15:00 -0400</pubDate>

									<content:encoded><![CDATA[<p><strong><a href="https://film23106.commons.gc.cuny.edu/?p=3131" rel="nofollow ugc">Weekly Response #7- Maribel Gomez</a></strong>In Luis Buñuel&#8217;s 1955 melodrama, The Criminal Life of Archibaldo De La Cruz (Ensayo De Un Crimen), begins with a wealthy man, Archibaldo de <a href="https://film23106.commons.gc.cuny.edu/?p=3131" rel="nofollow ugc"><span>[&hellip;]</span></a></p>
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				<title>Maribel Gomez (She/Her) wrote a new post on the site Selected Directors: Luis Buñuel</title>
				<link>https://film23106.commons.gc.cuny.edu/?p=2983</link>
				<pubDate>Fri, 10 Oct 2025 22:30:00 -0400</pubDate>

									<content:encoded><![CDATA[<p><strong><a href="https://film23106.commons.gc.cuny.edu/?p=2983" rel="nofollow ugc">Weekly Response #6- Maribel Gomez</a></strong>In week 6, the class watched and examined a short sequence of Susana (Susana, Carne y Demonio, 1951) and Mexican Bus Ride (La Ilusión Viaja <a href="https://film23106.commons.gc.cuny.edu/?p=2983" rel="nofollow ugc"><span>[&hellip;]</span></a></p>
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				<title>Maribel Gomez (She/Her) wrote a new post on the site Selected Directors: Luis Buñuel</title>
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				<pubDate>Fri, 03 Oct 2025 23:59:00 -0400</pubDate>

									<content:encoded><![CDATA[<p><strong><a href="https://film23106.commons.gc.cuny.edu/?p=2975" rel="nofollow ugc">Weekly Response #5- Maribel Gomez</a></strong>Last week on Friday, the class was scheduled to go on a trip to the Hispanic Society Museum and Library. Although I arrived seven minutes <a href="https://film23106.commons.gc.cuny.edu/?p=2975" rel="nofollow ugc"><span>[&hellip;]</span></a></p>
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				<title>Maribel Gomez (She/Her) wrote a new post on the site Selected Directors: Luis Buñuel</title>
				<link>https://film23106.commons.gc.cuny.edu/?p=2807</link>
				<pubDate>Sat, 27 Sep 2025 03:57:01 -0400</pubDate>

									<content:encoded><![CDATA[<p><strong><a href="https://film23106.commons.gc.cuny.edu/?p=2807" rel="nofollow ugc">Weekly Response #4- Maribel Gomez</a></strong>Buñuel’s film, The Young One, examines the topic of persecution and morality through racial prejudice against a man of color wrongfully ac <a href="https://film23106.commons.gc.cuny.edu/?p=2807" rel="nofollow ugc"><span>[&hellip;]</span></a></p>
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				<title>Maribel Gomez (She/Her) wrote a new post on the site Selected Directors: Luis Buñuel</title>
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				<pubDate>Fri, 19 Sep 2025 03:20:54 -0400</pubDate>

									<content:encoded><![CDATA[<p><strong><a href="https://film23106.commons.gc.cuny.edu/?p=2753" rel="nofollow ugc">Weekly Response #3- Maribel Gomez</a></strong>In Buñuel&#8217;s 1932 film work, Land Without Bread, he attempted to add a sense of visual poetry/art through this film. It is also hard to <a href="https://film23106.commons.gc.cuny.edu/?p=2753" rel="nofollow ugc"><span>[&hellip;]</span></a></p>
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				<title>Maribel Gomez (She/Her) wrote a new post on the site Selected Directors: Luis Buñuel</title>
				<link>https://film23106.commons.gc.cuny.edu/?p=2691</link>
				<pubDate>Fri, 12 Sep 2025 02:22:47 -0400</pubDate>

									<content:encoded><![CDATA[<p><strong><a href="https://film23106.commons.gc.cuny.edu/?p=2691" rel="nofollow ugc">Weekly Response #2- Maribel Gomez</a></strong>This week in class, we watched Un Chien Andalou and L&#8217;Age D&#8217;or. My feelings about his characters throughout the films were more in line with <a href="https://film23106.commons.gc.cuny.edu/?p=2691" rel="nofollow ugc"><span>[&hellip;]</span></a></p>
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				<title>Maribel Gomez (She/Her) changed their profile picture</title>
				<link>https://commons.gc.cuny.edu/activity/p/1093911/</link>
				<pubDate>Sat, 06 Sep 2025 05:06:38 -0400</pubDate>

				
				
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				<title>Maribel Gomez (She/Her) joined the group New Media Lab</title>
				<link>https://commons.gc.cuny.edu/activity/p/1093907/</link>
				<pubDate>Sat, 06 Sep 2025 04:55:57 -0400</pubDate>

				
				
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				<title>Maribel Gomez (She/Her)&#039;s profile was updated</title>
				<link>https://commons.gc.cuny.edu/activity/p/1093905/</link>
				<pubDate>Sat, 06 Sep 2025 04:49:48 -0400</pubDate>

				
				
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				<title>Maribel Gomez (She/Her) wrote a new post on the site Selected Directors: Luis Buñuel</title>
				<link>https://film23106.commons.gc.cuny.edu/?p=2621</link>
				<pubDate>Sat, 06 Sep 2025 04:00:48 -0400</pubDate>

									<content:encoded><![CDATA[<p><strong><a href="https://film23106.commons.gc.cuny.edu/?p=2621" rel="nofollow ugc">Weekly Response #1- Maribel Gomez</a></strong>On our first week in class, we touched on the topic of films by the renowned Spanish-Mexican filmmaker, Luis Buñuel, and explored two <a href="https://film23106.commons.gc.cuny.edu/?p=2621" rel="nofollow ugc"><span>[&hellip;]</span></a></p>
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				<title>Maribel Gomez (She/Her) became a registered member</title>
				<link>https://commons.gc.cuny.edu/activity/p/1093851/</link>
				<pubDate>Sat, 06 Sep 2025 01:50:08 -0400</pubDate>

				
				
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