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	<title>CUNY Academic Commons | Lourdes Zamora | Activity</title>
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				<title>Lourdes Zamora wrote a new post on the site Film History 2: Since 1945</title>
				<link>https://film21200.commons.gc.cuny.edu/?p=5865</link>
				<pubDate>Tue, 26 May 2026 23:24:54 -0400</pubDate>

									<content:encoded><![CDATA[<p><strong><a href="https://film21200.commons.gc.cuny.edu/?p=5865" rel="nofollow ugc">Week 14: Parasite</a></strong>I have not seen this movie since it came out in 2019, and only now realize there is an influx of things I missed several years ago, or <a href="https://film21200.commons.gc.cuny.edu/?p=5865" rel="nofollow ugc"><span>[&hellip;]</span></a></p>
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				<title>Lourdes Zamora wrote a new post on the site Film History 2: Since 1945</title>
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				<pubDate>Tue, 26 May 2026 22:11:09 -0400</pubDate>

									<content:encoded><![CDATA[<p><strong><a href="https://film21200.commons.gc.cuny.edu/?p=5689" rel="nofollow ugc">Week 13: The Headless Woman</a></strong><a href="https://film21200.commons.gc.cuny.edu/?p=5689" rel="nofollow ugc"><img loading="lazy" src="https://s3.amazonaws.com/files.commons.gc.cuny.edu/wp-content/blogs.dir/49115/files/2026/05/Screenshot-2026-05-26-at-5.57.07-PM-1024x451.png" /></a> I initially missed the first 10 minutes of the film, and so though I knew the ending, when I went back and watched the film again I realized <a href="https://film21200.commons.gc.cuny.edu/?p=5689" rel="nofollow ugc"><span>[&hellip;]</span></a></p>
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				<title>Lourdes Zamora wrote a new post on the site Film History 2: Since 1945</title>
				<link>https://film21200.commons.gc.cuny.edu/?p=5285</link>
				<pubDate>Tue, 05 May 2026 02:22:07 -0400</pubDate>

									<content:encoded><![CDATA[<p><strong><a href="https://film21200.commons.gc.cuny.edu/?p=5285" rel="nofollow ugc">Week 10: Anthology Film Archives</a></strong><a href="https://film21200.commons.gc.cuny.edu/?p=5285" rel="nofollow ugc"><img loading="lazy" src="https://s3.amazonaws.com/files.commons.gc.cuny.edu/wp-content/blogs.dir/49115/files/2026/04/IMG_5067-768x1024.jpeg" /></a> I think it&#8217;s a good sign when something you don&#8217;t understand makes you feel overwhelmed; such is the case for this recent visit to the <a href="https://film21200.commons.gc.cuny.edu/?p=5285" rel="nofollow ugc"><span>[&hellip;]</span></a></p>
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				<title>Lourdes Zamora wrote a new post on the site Film History 2: Since 1945</title>
				<link>https://film21200.commons.gc.cuny.edu/?p=5423</link>
				<pubDate>Thu, 30 Apr 2026 19:51:36 -0400</pubDate>

									<content:encoded><![CDATA[<p><strong><a href="https://film21200.commons.gc.cuny.edu/?p=5423" rel="nofollow ugc">Cuban Cinema: Sara Gomez and Her Impact</a></strong><a href="https://film21200.commons.gc.cuny.edu/?p=5423" rel="nofollow ugc"><img loading="lazy" src="https://s3.amazonaws.com/files.commons.gc.cuny.edu/wp-content/blogs.dir/49115/files/2026/04/image-24.jpeg" /></a> Written by Chrissy, Tanice, Jordan, and Lourdes    Lourdes:    Cuban cinema is highly influenced by its revolutionary past, its national <a href="https://film21200.commons.gc.cuny.edu/?p=5423" rel="nofollow ugc"><span>[&hellip;]</span></a></p>
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				<title>Lourdes Zamora wrote a new post on the site Film History 2: Since 1945</title>
				<link>https://film21200.commons.gc.cuny.edu/?p=4719</link>
				<pubDate>Thu, 19 Mar 2026 00:03:54 -0400</pubDate>

									<content:encoded><![CDATA[<p><strong><a href="https://film21200.commons.gc.cuny.edu/?p=4719" rel="nofollow ugc">Weekly Response #6 &#8211; Lourdes Zamora</a></strong>This past week’s film, Cleo from 5 to 7 (1962), delighted me to no end. Varda merges Cleo’s sugarcoated world with an impending internal dre <a href="https://film21200.commons.gc.cuny.edu/?p=4719" rel="nofollow ugc"><span>[&hellip;]</span></a></p>
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				<title>Lourdes Zamora wrote a new post on the site Film History 2: Since 1945</title>
				<link>https://film21200.commons.gc.cuny.edu/?p=4607</link>
				<pubDate>Tue, 10 Mar 2026 05:07:22 -0400</pubDate>

									<content:encoded><![CDATA[<p><strong><a href="https://film21200.commons.gc.cuny.edu/?p=4607" rel="nofollow ugc">Week 5 Response: Lourdes Zamora</a></strong>I have to begin with the fact that I thought this movie was HILARIOUS. I have not laughed out loud to a film like this in ages, Constance <a href="https://film21200.commons.gc.cuny.edu/?p=4607" rel="nofollow ugc"><span>[&hellip;]</span></a></p>
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				<title>Lourdes Zamora wrote a new post on the site Film History 2: Since 1945</title>
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				<pubDate>Tue, 03 Feb 2026 04:45:52 -0500</pubDate>

									<content:encoded><![CDATA[<p><strong><a href="https://film21200.commons.gc.cuny.edu/?p=4187" rel="nofollow ugc">Week 1 Response: Lourdes Zamora</a></strong><a href="https://film21200.commons.gc.cuny.edu/?p=4187" rel="nofollow ugc"><img loading="lazy" src="https://s3.amazonaws.com/files.commons.gc.cuny.edu/wp-content/blogs.dir/49115/files/2026/02/hiroshima_1953_4-1024x748.jpg" /></a> Hiroshima (Hideo Sekigawa, 1953) left me utterly devastated and depressed, which I believe could have been the intention. In my opinion, f <a href="https://film21200.commons.gc.cuny.edu/?p=4187" rel="nofollow ugc"><span>[&hellip;]</span></a></p>
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				<title>Lourdes Zamora wrote a new post on the site Selected Directors: Luis Buñuel</title>
				<link>https://film23106.commons.gc.cuny.edu/?p=3717</link>
				<pubDate>Sun, 14 Dec 2025 04:54:33 -0500</pubDate>

									<content:encoded><![CDATA[<p><strong><a href="https://film23106.commons.gc.cuny.edu/?p=3717" rel="nofollow ugc">Weekly Response #13 &#8211; Lourdes Zamora</a></strong>That Obscure Object of Desire (1977), Buñuel&#8217;s final film of his career, is the auteur going all in on his favorite conventions for one <a href="https://film23106.commons.gc.cuny.edu/?p=3717" rel="nofollow ugc"><span>[&hellip;]</span></a></p>
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				<title>Lourdes Zamora wrote a new post on the site Selected Directors: Luis Buñuel</title>
				<link>https://film23106.commons.gc.cuny.edu/?p=3503</link>
				<pubDate>Sun, 23 Nov 2025 19:32:31 -0500</pubDate>

									<content:encoded><![CDATA[<p><strong><a href="https://film23106.commons.gc.cuny.edu/?p=3503" rel="nofollow ugc">Weekly Response #11</a></strong>I have to admit I was thoroughly entertained by the division on Luis Buñuel after the new piece of information (the excerpt from his wife&#8217;s <a href="https://film23106.commons.gc.cuny.edu/?p=3503" rel="nofollow ugc"><span>[&hellip;]</span></a></p>
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				<title>Lourdes Zamora wrote a new post on the site Selected Directors: Luis Buñuel</title>
				<link>https://film23106.commons.gc.cuny.edu/?p=3385</link>
				<pubDate>Fri, 14 Nov 2025 05:06:08 -0500</pubDate>

									<content:encoded><![CDATA[<p><strong><a href="https://film23106.commons.gc.cuny.edu/?p=3385" rel="nofollow ugc">Weekly Response 10 &#8211; Lourdes Zamora</a></strong>Viridiana (1961), Buñuel&#8217;s charming masterpiece, showcases exactly what Buñuel excels at: critiquing institutions such as religion and g <a href="https://film23106.commons.gc.cuny.edu/?p=3385" rel="nofollow ugc"><span>[&hellip;]</span></a></p>
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				<title>Lourdes Zamora wrote a new post on the site Selected Directors: Luis Buñuel</title>
				<link>https://film23106.commons.gc.cuny.edu/?p=3261</link>
				<pubDate>Fri, 24 Oct 2025 04:58:23 -0400</pubDate>

									<content:encoded><![CDATA[<p><strong><a href="https://film23106.commons.gc.cuny.edu/?p=3261" rel="nofollow ugc">Week 8 Response</a></strong>This past week we watched The Exterminating Angel (1962) which has easily become one of my favorite films we have watched so far. The <a href="https://film23106.commons.gc.cuny.edu/?p=3261" rel="nofollow ugc"><span>[&hellip;]</span></a></p>
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				<title>Lourdes Zamora wrote a new post on the site Selected Directors: Luis Buñuel</title>
				<link>https://film23106.commons.gc.cuny.edu/?p=3181</link>
				<pubDate>Fri, 17 Oct 2025 05:16:19 -0400</pubDate>

									<content:encoded><![CDATA[<p><strong><a href="https://film23106.commons.gc.cuny.edu/?p=3181" rel="nofollow ugc">Weekly Respone #7</a></strong>Buñuel has been ceasing to amaze me at his convoluted relationship with women, sexuality, and his affection for his off-beat protagonists. <a href="https://film23106.commons.gc.cuny.edu/?p=3181" rel="nofollow ugc"><span>[&hellip;]</span></a></p>
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				<title>Lourdes Zamora wrote a new post on the site Selected Directors: Luis Buñuel</title>
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				<pubDate>Fri, 03 Oct 2025 04:53:53 -0400</pubDate>

									<content:encoded><![CDATA[<p><strong><a href="https://film23106.commons.gc.cuny.edu/?p=2939" rel="nofollow ugc">Weekly Response #4 &#8211; Lourdes Zamora</a></strong>Buñuel’s 1960 film The Young One left a greater impression on me than I realized. Packed with symbolism, I was particularly struck by the an <a href="https://film23106.commons.gc.cuny.edu/?p=2939" rel="nofollow ugc"><span>[&hellip;]</span></a></p>
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				<title>Lourdes Zamora wrote a new post on the site Selected Directors: Luis Buñuel</title>
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				<pubDate>Fri, 19 Sep 2025 03:51:13 -0400</pubDate>

									<content:encoded><![CDATA[<p><strong><a href="https://film23106.commons.gc.cuny.edu/?p=2769" rel="nofollow ugc">Weekly Response #3</a></strong>In watching Land Without Bread / Las Hurdes (1933), I was able to understand the context of the role of an artist within society as more <a href="https://film23106.commons.gc.cuny.edu/?p=2769" rel="nofollow ugc"><span>[&hellip;]</span></a></p>
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				<title>Lourdes Zamora wrote a new post on the site Selected Directors: Luis Buñuel</title>
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				<pubDate>Fri, 05 Sep 2025 03:35:58 -0400</pubDate>

									<content:encoded><![CDATA[<p><strong><a href="https://film23106.commons.gc.cuny.edu/?p=2585" rel="nofollow ugc">Weekly Response #1</a></strong>September 4, 2025    Weekly Response #1    I appreciate Buñuel’s acknowledgement of comedy as a genre to be taken seriously despite the op <a href="https://film23106.commons.gc.cuny.edu/?p=2585" rel="nofollow ugc"><span>[&hellip;]</span></a></p>
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				<title>Lourdes Zamora became a registered member</title>
				<link>https://commons.gc.cuny.edu/activity/p/1093461/</link>
				<pubDate>Fri, 05 Sep 2025 03:32:38 -0400</pubDate>

				
				
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