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	<title>CUNY Academic Commons | LAURA ORTIZ | Activity</title>
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				<title>LAURA ORTIZ (SHE/HER) commented on the post, The Pearl Button, on the site Selected Directors: New Latin American Cinema</title>
				<link>https://film23104new.commons.gc.cuny.edu/2025/05/05/the-pearl-button-2/#comment-2355</link>
				<pubDate>Tue, 06 May 2025 04:22:29 -0400</pubDate>

									<content:encoded><![CDATA[<p>Patricio Guzmán’s The Pearl Button serves as a poetic and political reflection on the legacy of colonialism in Chile, particularly the erasure of Indigenous Patagonian cultures. Through water as a central me [&hellip;]</p>
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				<title>LAURA ORTIZ (SHE/HER) commented on the post, Glauber Rocha&#039;s Doc Work, on the site Selected Directors: New Latin American Cinema</title>
				<link>https://film23104new.commons.gc.cuny.edu/2025/03/05/glauber-rochas-doc-work/#comment-2279</link>
				<pubDate>Mon, 10 Mar 2025 05:49:36 -0400</pubDate>

									<content:encoded><![CDATA[<p>Laura Ortiz &#8211; Glauber Rocha’s approach to revolutionary and protest cinema during Brazil’s military dictatorship was both innovative and subversive, using allegory, metaphor, and direct confrontation to cha [&hellip;]</p>
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				<title>LAURA ORTIZ (SHE/HER) commented on the post, New Latin American Cinema and the ICAIC, on the site Selected Directors: New Latin American Cinema</title>
				<link>https://film23104new.commons.gc.cuny.edu/2025/01/28/new-latin-american-cinema-and-the-icaic/#comment-2267</link>
				<pubDate>Tue, 18 Feb 2025 20:42:54 -0500</pubDate>

									<content:encoded><![CDATA[<p>Week 3 – De Cierta Manera: A Revolutionary Reflection  February 17, 2025    Sara Gómez’s De Cierta Manera is a striking film that blurs the line between fiction and documentary, offering a nuanced exploration of p [&hellip;]</p>
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				<title>LAURA ORTIZ (SHE/HER) commented on the post, New Latin American Cinema and the ICAIC, on the site Selected Directors: New Latin American Cinema</title>
				<link>https://film23104new.commons.gc.cuny.edu/2025/01/28/new-latin-american-cinema-and-the-icaic/#comment-2263</link>
				<pubDate>Tue, 11 Feb 2025 05:56:24 -0500</pubDate>

									<content:encoded><![CDATA[<p>Laura Ortiz &#8211; Blog Post #2 Sara Gómez’s films explore the complexities of Cuban identity, gender roles, and revolutionary contradictions with a strikingly ahead-of-her-time perspective. Works like Mi Aporte and Gu [&hellip;]</p>
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				<title>LAURA ORTIZ (SHE/HER) commented on the post, New Latin American Cinema and the ICAIC, on the site Selected Directors: New Latin American Cinema</title>
				<link>https://film23104new.commons.gc.cuny.edu/2025/01/28/new-latin-american-cinema-and-the-icaic/#comment-2253</link>
				<pubDate>Sun, 02 Feb 2025 00:27:43 -0500</pubDate>

									<content:encoded><![CDATA[<p>Moving the Archive &#8211; Laura Ortiz     The concept of moving the archive in Latin American revolutionary cinema is a powerful act of subversion that critiques colonial and neo-colonial narratives embedded in Western [&hellip;]</p>
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				<title>LAURA ORTIZ (SHE/HER) became a registered member</title>
				<link>https://commons.gc.cuny.edu/activity/p/1036563/</link>
				<pubDate>Tue, 28 Jan 2025 16:10:28 -0500</pubDate>

				
				
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