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	<title>CUNY Academic Commons | Janette Tilley | Activity</title>
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				<title>Janette Tilley commented on the post, Alarm Will Sound Performs Aphex Twin and Music from &#039;Hannibal&#039;, on the site MSH 334: Music Since 1945 (Spring 2017)</title>
				<link>https://msh334spring2017.commons.gc.cuny.edu/2017/05/30/alarm-will-sound-performs-aphex-twin-and-music-from-hannibal/#comment-407</link>
				<pubDate>Wed, 31 May 2017 20:32:20 -0400</pubDate>

									<content:encoded><![CDATA[<p>This was a great concert&#8211;were you there, too?<br />
What I find especially intriguing about Alarm Will Sound is this reverse-engineering of electronic music that sort of shows the work involved in producing sounds. [&hellip;]</p>
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				<title>Janette Tilley commented on the post, A reaction to Youtube video &#034;Extreme jazz fusion reharmonization&#034; by Adam Neely, on the site MSH 334: Music Since 1945 (Spring 2017)</title>
				<link>https://msh334spring2017.commons.gc.cuny.edu/2017/05/25/a-reaction-to-youtube-video-extreme-jazz-fusion-reharmonization-by-adam-neely/#comment-398</link>
				<pubDate>Tue, 30 May 2017 16:47:27 -0400</pubDate>

									<content:encoded><![CDATA[<p>Yeah, that 12-tone version was hilarious.  I think that&#8217;s more a proof that its possible, not that anyone _should_ do that!  But now, having taken this course, at least you know theoretically what that means!<br />
I [&hellip;]</p>
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				<title>Janette Tilley commented on the post, A reaction to Youtube video &#034;Extreme jazz fusion reharmonization&#034; by Adam Neely, on the site MSH 334: Music Since 1945 (Spring 2017)</title>
				<link>https://msh334spring2017.commons.gc.cuny.edu/2017/05/25/a-reaction-to-youtube-video-extreme-jazz-fusion-reharmonization-by-adam-neely/#comment-395</link>
				<pubDate>Mon, 29 May 2017 15:35:28 -0400</pubDate>

									<content:encoded><![CDATA[<p>That video you embedded is hilarious.  That is at least 6 semesters of music theory rolled into 14 minutes of intensity.  Slow it down, study it, and then show it off in Theory class!<br />
Given that Jazz was a sort [&hellip;]</p>
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				<title>Janette Tilley commented on the post, Universal Melody Brass Band, on the site MSH 334: Music Since 1945 (Spring 2017)</title>
				<link>https://msh334spring2017.commons.gc.cuny.edu/2017/05/26/universal-melody-brass-band/#comment-392</link>
				<pubDate>Mon, 29 May 2017 15:05:03 -0400</pubDate>

									<content:encoded><![CDATA[<p>Hey everyone in the class: The Stone will be closing its doors at this location this year, so get down there and experience something like this! Olivia is right&#8211;the venue really makes the musical experience here. [&hellip;]</p>
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				<title>Janette Tilley commented on the post, For Massas by Viegas Pellerin Corda Orrù, on the site MSH 334: Music Since 1945 (Spring 2017)</title>
				<link>https://msh334spring2017.commons.gc.cuny.edu/2017/05/26/for-massas-by-viegas-pellerin-corda-orru/#comment-391</link>
				<pubDate>Mon, 29 May 2017 14:59:35 -0400</pubDate>

									<content:encoded><![CDATA[<p>Thanks for introducing us to Caliper Music and to this recording!  This is ear-opening music, for sure.<br />
We didn&#8217;t speak to much about this in class, but I think this recording, and our own experience with some of [&hellip;]</p>
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				<title>Janette Tilley commented on the post, Sounds of the World: A Synthesis of World Music, Sampling and Soundscapes, on the site MSH 334: Music Since 1945 (Spring 2017)</title>
				<link>https://msh334spring2017.commons.gc.cuny.edu/2017/05/28/sounds-of-the-world-a-synthesis-of-world-music-sampling-and-soundscapes/#comment-386</link>
				<pubDate>Mon, 29 May 2017 14:23:43 -0400</pubDate>

									<content:encoded><![CDATA[<p>This exhibit at the Rubin appears to be a great example of how sound is increasingly regarded as an important part of an experience, equal to the visual.  Of course, that hasn&#8217;t always been the case, and the work [&hellip;]</p>
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				<title>Janette Tilley commented on the post, Africa in the Americans: Rhythmic Connection of Cuba and Brazil, on the site MSH 334: Music Since 1945 (Spring 2017)</title>
				<link>https://msh334spring2017.commons.gc.cuny.edu/2017/05/22/africa-in-the-americans-rhythmic-connection-of-cuba-and-brazil/#comment-366</link>
				<pubDate>Tue, 23 May 2017 22:42:39 -0400</pubDate>

									<content:encoded><![CDATA[<p>What a big ensemble and an exciting sound they produce.  Can you tell what the turntable player is adding to the mix?</p>
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				<title>Janette Tilley commented on the post, Other Truths - Do Make Say Think, on the site MSH 334: Music Since 1945 (Spring 2017)</title>
				<link>https://msh334spring2017.commons.gc.cuny.edu/2017/05/19/other-truths-do-make-say-think/#comment-365</link>
				<pubDate>Tue, 23 May 2017 22:32:56 -0400</pubDate>

									<content:encoded><![CDATA[<p>What does post-rock mean when related to this music?  It does seem like post-modern and all the other &#8220;post&#8221; terms which lack a really precise meaning.<br />
I think I might have called this &#8220;indie rock&#8221; as we did with [&hellip;]</p>
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				<title>Janette Tilley commented on the post, Chick Corea - Three Quartets Band - Michael Brecker, Eddie Gomez, Steve Gadd, on the site MSH 334: Music Since 1945 (Spring 2017)</title>
				<link>https://msh334spring2017.commons.gc.cuny.edu/2017/04/04/chick-corea-three-quartets-band-michael-brecker-eddie-gomez-steve-gadd/#comment-342</link>
				<pubDate>Thu, 18 May 2017 20:08:50 -0400</pubDate>

									<content:encoded><![CDATA[<p>Oh, it looks like the video you linked to here was removed from YouTube.  That&#8217;s too bad.</p>
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				<title>Janette Tilley commented on the post, Classical Pianist Denis Matsuev Takes The A Train, on the site MSH 334: Music Since 1945 (Spring 2017)</title>
				<link>https://msh334spring2017.commons.gc.cuny.edu/2017/05/15/classical-pianist-denis-matsuev-takes-the-a-train/#comment-333</link>
				<pubDate>Thu, 18 May 2017 19:45:16 -0400</pubDate>

									<content:encoded><![CDATA[<p>I&#8217;ve never seen that video of Ellington and the train.  That&#8217;s for finding that!<br />
And what an amazing rendition of the Ellington tune Matsuev constructs. Total virtuosity.</p>
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				<title>Janette Tilley commented on the post, Renee Fleming Last Performance, on the site MSH 334: Music Since 1945 (Spring 2017)</title>
				<link>https://msh334spring2017.commons.gc.cuny.edu/2017/05/15/renee-fleming-last-performance/#comment-331</link>
				<pubDate>Thu, 18 May 2017 19:22:34 -0400</pubDate>

									<content:encoded><![CDATA[<p>Der Rosenkavalier is a fun piece (it&#8217;s in German, though, not French) and well worth hearing.  Renee Fleming will be missed by opera audiences, but I wonder if she will still sing Lieder, just not staged opera? [&hellip;]</p>
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				<title>Janette Tilley commented on the post, &#034;There Will Never Be Another You&#034; -Lehman College Faculty Jazz Quartet, on the site MSH 334: Music Since 1945 (Spring 2017)</title>
				<link>https://msh334spring2017.commons.gc.cuny.edu/2017/05/16/there-will-never-be-another-you-lehman-college-faculty-jazz-quartet/#comment-330</link>
				<pubDate>Thu, 18 May 2017 19:10:25 -0400</pubDate>

									<content:encoded><![CDATA[<p>What have various other artists done with this tune? Are there recordings that are memorable to which you might compare the one you heard? Are there especially memorable versions? Or ones that have the stylistic [&hellip;]</p>
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				<title>Janette Tilley commented on the post, Michael Riesman and Ensemble Signal Celebrate Philip Glass, on the site MSH 334: Music Since 1945 (Spring 2017)</title>
				<link>https://msh334spring2017.commons.gc.cuny.edu/2017/05/16/michael-riesman-and-ensemble-signal-celebrate-philip-glass/#comment-329</link>
				<pubDate>Thu, 18 May 2017 19:00:20 -0400</pubDate>

									<content:encoded><![CDATA[<p>The audio worked fine for me.  I wonder if it is a browser compatibility issue.  I used Chrome and it was fine.<br />
I&#8217;m curious, did people buy tickets to sit on stage? I thought the Pop-Up concerts were always free. [&hellip;]</p>
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				<title>Janette Tilley commented on the post, Flamenco Meets Jazz, on the site MSH 334: Music Since 1945 (Spring 2017)</title>
				<link>https://msh334spring2017.commons.gc.cuny.edu/2017/05/17/flamenco-meets-jazz/#comment-327</link>
				<pubDate>Thu, 18 May 2017 18:51:54 -0400</pubDate>

									<content:encoded><![CDATA[<p>This is a fascinating review. I actually didn&#8217;t know about the Spanish Phrygian scale and am happy to learn about it. I don&#8217;t know about the pitch collection that you mention (combining Phrygian with harmonic [&hellip;]</p>
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				<title>Janette Tilley commented on the post, Blog Post: April 28th, on the site MSH 334: Music Since 1945 (Spring 2017)</title>
				<link>https://msh334spring2017.commons.gc.cuny.edu/2017/05/09/blog-post-april-28th/#comment-293</link>
				<pubDate>Thu, 11 May 2017 14:40:10 -0400</pubDate>

									<content:encoded><![CDATA[<p>Thanks for post, Jesus!<br />
Did you catch the composer / engineer&#8217;s name?  I&#8217;m curious about who it was. (I&#8217;m also curious about the venue)<br />
I&#8217;m also really interested in your comment about how rather &#8220;old fashioned&#8221; [&hellip;]</p>
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				<title>Janette Tilley commented on the post, An Instrumental Band Who Loves to Share Their Stage, on the site MSH 334: Music Since 1945 (Spring 2017)</title>
				<link>https://msh334spring2017.commons.gc.cuny.edu/2017/04/30/an-instrumental-band-who-loves-to-share-their-stage/#comment-274</link>
				<pubDate>Mon, 08 May 2017 20:48:16 -0400</pubDate>

									<content:encoded><![CDATA[<p>I like the 4 against 3 groove that they create in &#8220;Confessions Pt II&#8221; as the foundation for some wild improvisations!<br />
on &#8220;Hyssop of Love&#8221;, I like the rawness and imperfection of the drumming&#8212;this is certainly [&hellip;]</p>
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				<title>Janette Tilley commented on the post, Alam Khan and the Om Gam Ensemble, on the site MSH 334: Music Since 1945 (Spring 2017)</title>
				<link>https://msh334spring2017.commons.gc.cuny.edu/2017/05/06/alam-khan-and-the-om-gam-ensemble/#comment-266</link>
				<pubDate>Mon, 08 May 2017 20:11:35 -0400</pubDate>

									<content:encoded><![CDATA[<p>What a wonderfully media-rich post on this fantastic presentation at LPR. I _really_ wish I had been there!</p>
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				<title>Janette Tilley commented on the post, , on the site MSH 334: Music Since 1945 (Spring 2017)</title>
				<link>https://msh334spring2017.commons.gc.cuny.edu/2017/04/24/1147/#comment-228</link>
				<pubDate>Mon, 24 Apr 2017 18:43:40 -0400</pubDate>

									<content:encoded><![CDATA[<p>Thanks for the review, David.  Can you give your post a title? When did this performance take place and who were the other performers? I feel like I&#8217;m missing a little of the key information to know about this [&hellip;]</p>
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				<title>Janette Tilley commented on the post, Drone Mass, on the site MSH 334: Music Since 1945 (Spring 2017)</title>
				<link>https://msh334spring2017.commons.gc.cuny.edu/2017/04/14/drone-mass/#comment-227</link>
				<pubDate>Thu, 20 Apr 2017 18:40:36 -0400</pubDate>

									<content:encoded><![CDATA[<p>I wondered, at first, what sort of &#8220;drone&#8221; this piece might be referring to, and after listening, I do still wonder.  Are we supposed to think about the flying drone (aircraft) as much as we might the musical [&hellip;]</p>
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				<title>Janette Tilley commented on the post, Rehearsal Time: Thursday April 20, on the site MSH 334: Music Since 1945 (Spring 2017)</title>
				<link>https://msh334spring2017.commons.gc.cuny.edu/2017/04/19/rehearsal-time-thursday-april-20/#comment-211</link>
				<pubDate>Wed, 19 Apr 2017 19:12:05 -0400</pubDate>

									<content:encoded><![CDATA[<p>Rose: I&#8217;ll send you a copy of Snowforms.  It is for women&#8217;s voices and a multi-track version might be a very interesting way to realize it. The piece requires 8 voices, but I&#8217;m sure we could either perform it with [&hellip;]</p>
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				<title>Janette Tilley commented on the post, Yo La Tengo &#038; Ensemble at The Town Hall, on the site MSH 334: Music Since 1945 (Spring 2017)</title>
				<link>https://msh334spring2017.commons.gc.cuny.edu/2017/03/28/yo-la-tengo-ensemble-at-the-town-hall/#comment-196</link>
				<pubDate>Tue, 11 Apr 2017 18:36:02 -0400</pubDate>

									<content:encoded><![CDATA[<p>I had no idea this group has been around that long! There is a sort of reference to minimalism in their use of layering and some repetition that varies over time, isn&#8217;t there? It&#8217;s an effective blend, that [&hellip;]</p>
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				<title>Janette Tilley commented on the post, LUCKY CHOPS:  Friday FUNKY TOWN, on the site MSH 334: Music Since 1945 (Spring 2017)</title>
				<link>https://msh334spring2017.commons.gc.cuny.edu/2017/04/10/lucky-chops-friday-funky-town/#comment-195</link>
				<pubDate>Tue, 11 Apr 2017 18:20:34 -0400</pubDate>

									<content:encoded><![CDATA[<p>Tuan, this is an interesting selection for the blog.  You mention that you heard a &#8220;higher pitch&#8221; at the very beginning of your post, but this appears to be a band made up of all low pitched instruments.  in fact, [&hellip;]</p>
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				<title>Janette Tilley commented on the post, Distance Future ; Minimalism at its finest, on the site MSH 334: Music Since 1945 (Spring 2017)</title>
				<link>https://msh334spring2017.commons.gc.cuny.edu/2017/04/08/distance-future-minimalism-at-its-finest/#comment-194</link>
				<pubDate>Tue, 11 Apr 2017 17:53:18 -0400</pubDate>

									<content:encoded><![CDATA[<p>This sound is quite stunning. How would you describe what they are doing? They seem to be using synthesized sounds (recordings?), drones and long melismatic vocal lines that take advantage of the resonant church [&hellip;]</p>
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				<title>Janette Tilley commented on the post, Brooklyn Youth Chorus&#039; &#039;Black Mountain Songs&#039;, on the site MSH 334: Music Since 1945 (Spring 2017)</title>
				<link>https://msh334spring2017.commons.gc.cuny.edu/2017/04/01/brooklyn-youth-chorus-black-mountain-songs/#comment-193</link>
				<pubDate>Tue, 11 Apr 2017 17:00:01 -0400</pubDate>

									<content:encoded><![CDATA[<p>HI Alejandro,<br />
This looks like a stellar line-up of composers!  I&#8217;m curious about the first piece that you mention&#8211;I don&#8217;t see a title or composer&#8217;s name.  Were they given? Or is this a problem with archived [&hellip;]</p>
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				<title>Janette Tilley commented on the post, Triple-Entry Journals: Engagement and Reflexivity, on the site Visible Pedagogy</title>
				<link>http://vp.commons.gc.cuny.edu/2017/03/28/my-triple-entry-journal-assignment-engagement-and-reflexivity/#comment-84</link>
				<pubDate>Tue, 04 Apr 2017 17:24:19 -0400</pubDate>

									<content:encoded><![CDATA[<p>Gwen: I really enjoyed your post about the &#8220;triple entry journal&#8221;.  I&#8217;ve been doing something like this in music whereby students describe objectively one of the assigned pieces we will be studying each week and [&hellip;]</p>
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				<title>Janette Tilley commented on the post, Roomful Of Teeth performance @ Kaufman Music Center, on the site MSH 334: Music Since 1945 (Spring 2017)</title>
				<link>http://msh334spring2017.commons.gc.cuny.edu/2017/03/14/roomful-of-teeth-performance-kaufman-music-center/#comment-170</link>
				<pubDate>Sun, 02 Apr 2017 14:08:03 -0400</pubDate>

									<content:encoded><![CDATA[<p>I couldn&#8217;t find Roomful of Teeth performing the piece. It may be something they haven&#8217;t recorded / published.<br />
I&#8217;ll keep my eyes open for it.</p>
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				<title>Janette Tilley commented on the post, Chuck Berry and his Legacy, on the site MSH 334: Music Since 1945 (Spring 2017)</title>
				<link>https://msh334spring2017.commons.gc.cuny.edu/2017/03/29/chuck-berry-and-his-legacy/#comment-162</link>
				<pubDate>Sun, 02 Apr 2017 13:49:35 -0400</pubDate>

									<content:encoded><![CDATA[<p>Shayna, this is a great example of using hyperlinks and various media to support your piece of writing!</p>
<p>The issue you mention of Chuck Berry needing to change the words of his song to hide his blackness is very [&hellip;]</p>
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				<title>Janette Tilley commented on the post, Everyday Robots - Damon Albarn, on the site MSH 334: Music Since 1945 (Spring 2017)</title>
				<link>https://msh334spring2017.commons.gc.cuny.edu/2017/03/31/everyday-robots-damon-albarn/#comment-159</link>
				<pubDate>Sun, 02 Apr 2017 13:39:09 -0400</pubDate>

									<content:encoded><![CDATA[<p>Thanks for sharing this album with us! We&#8217;re going to talk about technology this week, and you raise some important issues regarding our dependence on technology and its relative failure to provide adequate [&hellip;]</p>
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				<title>Janette Tilley commented on the post, My performance &#034;in C&#034;, on the site MSH 334: Music Since 1945 (Spring 2017)</title>
				<link>https://msh334spring2017.commons.gc.cuny.edu/2017/04/01/my-perfonce-in-c/#comment-156</link>
				<pubDate>Sun, 02 Apr 2017 13:32:38 -0400</pubDate>

									<content:encoded><![CDATA[<p>Shall we give this piece another try in class?</p>
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				<title>Janette Tilley commented on the post, Thums Up and Arooj Aftab at the Kaufman Music Center, on the site MSH 334: Music Since 1945 (Spring 2017)</title>
				<link>https://msh334spring2017.commons.gc.cuny.edu/2017/03/18/thumbs-up-and-arooj-aftab-at-the-kaufman-music-center/#comment-114</link>
				<pubDate>Mon, 20 Mar 2017 15:48:11 -0400</pubDate>

									<content:encoded><![CDATA[<p>The contrast between the styles of the two vocalists was really spectacular in this concert&#8211;the long,  languid lines of Arooj Aftab paired so well with the more punchy rapping of Heems.</p>
<p>This concert raised an [&hellip;]</p>
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				<title>Janette Tilley commented on the post, Roomful Of Teeth performance @ Kaufman Music Center, on the site MSH 334: Music Since 1945 (Spring 2017)</title>
				<link>https://msh334spring2017.commons.gc.cuny.edu/2017/03/14/roomful-of-teeth-performance-kaufman-music-center/#comment-106</link>
				<pubDate>Thu, 16 Mar 2017 19:19:41 -0400</pubDate>

									<content:encoded><![CDATA[<p>Hey Emil,<br />
The piece they performed for an encore was &#8220;Fall into Me&#8221; which was featured in an episode of Black Mirror:</p>
<p>For me, one of the more effective musical moments was Caroline Shaw&#8217;s use of 24 chords in [&hellip;]</p>
<p><iframe loading="lazy" width="653" height="367" src="https://www.youtube.com/embed/dDqKw1Xblkk?feature=oembed" frameborder="0" allowfullscreen></iframe></p>
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				<title>Janette Tilley wrote a new post on the site MSH 334: Music Since 1945 (Spring 2017)</title>
				<link>http://msh334spring2017.commons.gc.cuny.edu/?p=693</link>
				<pubDate>Tue, 07 Mar 2017 21:36:01 -0500</pubDate>

									<content:encoded><![CDATA[<p>Reminder that we have 2 guests visiting Lehman tomorrow to talk about how to make it in the music industry today.</p>
<p>William Derella manages artists with DAS Communications. You probably know some of their artists [&hellip;] <img loading="lazy" src="https://msh334spring2017.commons.gc.cuny.edu/files/2017/03/March-Making-Music-Series.jpg" /></p>
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				<title>Janette Tilley commented on the post, Juan Baez Monthly post, on the site MSH 334: Music Since 1945 (Spring 2017)</title>
				<link>https://msh334spring2017.commons.gc.cuny.edu/2017/03/05/juan-baez-monthly-post/#comment-83</link>
				<pubDate>Tue, 07 Mar 2017 21:14:36 -0500</pubDate>

									<content:encoded><![CDATA[<p>Can you provide a link to this video that you mention? I don&#8217;t think many people will know it.<br />
Remember everyone: we like to see active links and embeded YouTube videos.</p>
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				<title>Janette Tilley commented on the post, Ladysmith Black Mambazo, on the site MSH 334: Music Since 1945 (Spring 2017)</title>
				<link>https://msh334spring2017.commons.gc.cuny.edu/2017/03/06/ladysmith-black-mambazo/#comment-80</link>
				<pubDate>Tue, 07 Mar 2017 21:10:18 -0500</pubDate>

									<content:encoded><![CDATA[<p>I am so delighted to hear that this group is still active and touring.  They are a living reminder of South African history and the power of the voice to bring meaningful change in society.<br />
Thanks for all the [&hellip;]</p>
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				<title>Janette Tilley commented on the post, Jaco Pastorius - Live at Montreal Jazz Festival, on the site MSH 334: Music Since 1945 (Spring 2017)</title>
				<link>https://msh334spring2017.commons.gc.cuny.edu/2017/03/06/jaco-pastorius-live-at-montreal-jazz-festival/#comment-79</link>
				<pubDate>Tue, 07 Mar 2017 21:06:32 -0500</pubDate>

									<content:encoded><![CDATA[<p>Hi Bladimir,<br />
This is a really sensitive account of the music in this concert.<br />
I&#8217;m curious why you chose it? It&#8217;s a little far removed from the intent of the blog (New Music in New York City)&#8211;perhaps you can [&hellip;]</p>
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				<title>Janette Tilley commented on the post, Tigue, on the site MSH 334: Music Since 1945 (Spring 2017)</title>
				<link>https://msh334spring2017.commons.gc.cuny.edu/2017/03/07/tigue/#comment-78</link>
				<pubDate>Tue, 07 Mar 2017 21:00:49 -0500</pubDate>

									<content:encoded><![CDATA[<p>Nice images from the stage!<br />
This is a very detailed account of the concert and I am truly sorry I missed it.<br />
The connections between minimalism and rock music go all the way back to the beginnings of both [&hellip;]</p>
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				<title>Janette Tilley commented on the post, Origami Harvest, on the site MSH 334: Music Since 1945 (Spring 2017)</title>
				<link>https://msh334spring2017.commons.gc.cuny.edu/2017/02/27/origami-harvest/#comment-73</link>
				<pubDate>Tue, 07 Mar 2017 02:40:42 -0500</pubDate>

									<content:encoded><![CDATA[<p>Maybe labels really are a modernist impulse&#8211;to name something and therefore to claim to understand it. Perhaps the postmodern project is to undo all labels and let things be! (which I have paradoxically labelled [&hellip;]</p>
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				<title>Janette Tilley commented on the post, The Miraculous Mandarin Suite, on the site MSH 334: Music Since 1945 (Spring 2017)</title>
				<link>https://msh334spring2017.commons.gc.cuny.edu/2017/03/05/the-miraculous-mandarin-suite/#comment-68</link>
				<pubDate>Sun, 05 Mar 2017 23:18:50 -0500</pubDate>

									<content:encoded><![CDATA[<p>HI Olivia,<br />
The Bartok is an interesting selection! I wonder if the orchestra was wanting to demonstrate their ability to perform a great variety of music&#8211;they only come here once or twice a year, so they have to [&hellip;]</p>
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				<title>Janette Tilley commented on the post, Charlie Parker- Summertime (Jazz Instrumental), on the site MSH 334: Music Since 1945 (Spring 2017)</title>
				<link>https://msh334spring2017.commons.gc.cuny.edu/2017/02/25/charlie-parker-summertime-jazz-instrumental/#comment-67</link>
				<pubDate>Sun, 05 Mar 2017 22:34:05 -0500</pubDate>

									<content:encoded><![CDATA[<p>HI Amber,<br />
Sorry for not commenting on this right away! I&#8217;m glad to hear that you&#8217;ve discovered Charlie Parker. Can you tell me what recording you listening to and who else played on it? That&#8217;s usually really [&hellip;]</p>
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				<title>Janette Tilley commented on the post, Tigue at the Pregones Theater, on the site MSH 334: Music Since 1945 (Spring 2017)</title>
				<link>https://msh334spring2017.commons.gc.cuny.edu/2017/03/04/583/#comment-59</link>
				<pubDate>Sat, 04 Mar 2017 15:47:06 -0500</pubDate>

									<content:encoded><![CDATA[<p>Tuan, what a great concert to connect with what we just did in class.  Perfect timing! I truly wish I had been there. The video you attach shows some wonderfully haunting sounds from unlikely objects.<br />
Did any of [&hellip;]</p>
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				<title>Janette Tilley commented on the post, Antibalas in El Barrio, on the site MSH 334: Music Since 1945 (Spring 2017)</title>
				<link>https://msh334spring2017.commons.gc.cuny.edu/2017/02/26/antibalas-in-el-barrio/#comment-57</link>
				<pubDate>Fri, 03 Mar 2017 18:15:33 -0500</pubDate>

									<content:encoded><![CDATA[<p>Nice description of this exciting music by Antibalas, Michael, and a sensitive cultural reading of the event as well.<br />
How much of their music as overtly political as the video you selected? Is Antibalas inspired [&hellip;]</p>
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				<title>Janette Tilley commented on the post, Ethel at the Met, on the site MSH 334: Music Since 1945 (Spring 2017)</title>
				<link>https://msh334spring2017.commons.gc.cuny.edu/2017/02/26/ethel-at-the-met/#comment-56</link>
				<pubDate>Thu, 02 Mar 2017 20:37:15 -0500</pubDate>

									<content:encoded><![CDATA[<p>Shayna, this is such a sensitive response to music everywhere&#8211;you were clearly ready for Cage and 4&#8217;33&#8221;!<br />
I&#8217;m curious about the inclusion of a Native American flute in this group.  Do you have a sense of what [&hellip;]</p>
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				<title>Janette Tilley commented on the post, Spain - Chick Corea, on the site MSH 334: Music Since 1945 (Spring 2017)</title>
				<link>https://msh334spring2017.commons.gc.cuny.edu/2017/03/02/spain-chick-corea/#comment-55</link>
				<pubDate>Thu, 02 Mar 2017 20:28:57 -0500</pubDate>

									<content:encoded><![CDATA[<p>Congratulations, David, on earning the first &#8220;pingback&#8221; of the semester!  That means people are reading your work and responding to it.<br />
This is a sensitive and lively response to this piece, David.</p>
<p>Here&#8217;s a [&hellip;]</p>
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				<title>Janette Tilley commented on the post, Origami Harvest, on the site MSH 334: Music Since 1945 (Spring 2017)</title>
				<link>https://msh334spring2017.commons.gc.cuny.edu/2017/02/27/origami-harvest/#comment-42</link>
				<pubDate>Wed, 01 Mar 2017 14:09:29 -0500</pubDate>

									<content:encoded><![CDATA[<p>Your connection with Kendrick Lamar is a good point.  All of these &#8220;cross-over&#8221; projects really raise the important question about what, exactly, is crossing over into what? Whose territory is the &#8220;host&#8221;? Is there [&hellip;]</p>
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				<title>Janette Tilley commented on the post, Florence Beatrice Price, on the site MSH 334: Music Since 1945 (Spring 2017)</title>
				<link>https://msh334spring2017.commons.gc.cuny.edu/2017/02/28/florence-beatrice-price/#comment-39</link>
				<pubDate>Wed, 01 Mar 2017 14:02:19 -0500</pubDate>

									<content:encoded><![CDATA[<p>Thanks for this interesting and timely piece, which connects both African-American History Month (February) and Women&#8217;s Month (March).  I feel like I&#8217;m missing a little context, though: what Conservatory did she [&hellip;]</p>
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				<title>Janette Tilley joined the group Teaching and Learning Center</title>
				<link>https://commons.gc.cuny.edu/activity/p/454644/</link>
				<pubDate>Wed, 08 Feb 2017 01:30:33 -0500</pubDate>

				
				
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				<title>Janette Tilley joined the group The Group for Group Admins</title>
				<link>https://commons.gc.cuny.edu/activity/p/452058/</link>
				<pubDate>Fri, 20 Jan 2017 00:41:45 -0500</pubDate>

				
				
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				<title>Janette Tilley uses the digital research tool Bookworm</title>
				<link>https://commons.gc.cuny.edu/activity/p/451714/</link>
				<pubDate>Fri, 13 Jan 2017 02:17:55 -0500</pubDate>

				
				
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				<title>Janette Tilley uses the digital research tool Google Drive</title>
				<link>https://commons.gc.cuny.edu/activity/p/451713/</link>
				<pubDate>Fri, 13 Jan 2017 02:14:11 -0500</pubDate>

				
				
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				<title>Janette Tilley uses the digital research tool Google Docs</title>
				<link>https://commons.gc.cuny.edu/activity/p/451712/</link>
				<pubDate>Fri, 13 Jan 2017 02:14:08 -0500</pubDate>

				
				
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