<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>CUNY Academic Commons | Jacquelyn Marie Shannon | Activity</title>
	<link>https://commons.gc.cuny.edu/members/jshannon1/activity/</link>
	<atom:link href="https://commons.gc.cuny.edu/members/jshannon1/activity/feed/" rel="self" type="application/rss+xml" />
	<description>Activity feed for Jacquelyn Marie Shannon.</description>
	<lastBuildDate>Sat, 01 Jan 2050 18:00:18 -0500</lastBuildDate>
	<generator>https://buddypress.org/?v=</generator>
	<language>en</language>
	<ttl>30</ttl>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>2</sy:updateFrequency>
	
						<item>
				<guid isPermaLink="false">96f1e856061dcaf030ff49f9f8b521fc</guid>
				<title>Jacquelyn Marie Shannon and Ash Marinaccio are now friends</title>
				<link>https://commons.gc.cuny.edu/activity/p/912470/</link>
				<pubDate>Sat, 01 Apr 2023 16:12:37 -0400</pubDate>

				
				
							</item>
					<item>
				<guid isPermaLink="false">53dd992ce46cb0ff93fd467e09c5117d</guid>
				<title>Jacquelyn Marie Shannon&#039;s profile was updated</title>
				<link>https://commons.gc.cuny.edu/activity/p/813282/</link>
				<pubDate>Fri, 07 Jan 2022 18:51:51 -0500</pubDate>

				
				
							</item>
					<item>
				<guid isPermaLink="false">4ca26ee59fb1ffe4af74e70f4a369bd7</guid>
				<title>Jacquelyn Marie Shannon and Taylor Claire Culbert (she/her) are now friends</title>
				<link>https://commons.gc.cuny.edu/activity/p/798199/</link>
				<pubDate>Tue, 02 Nov 2021 22:10:18 -0400</pubDate>

				
				
							</item>
					<item>
				<guid isPermaLink="false">c2dcdba2609d8cf0143421bb1f82859f</guid>
				<title>Jacquelyn Marie Shannon joined the group Teaching with the CUNY Academic Commons Workshop Series</title>
				<link>https://commons.gc.cuny.edu/activity/p/678284/</link>
				<pubDate>Mon, 29 Jun 2020 16:41:27 -0400</pubDate>

				
				
							</item>
					<item>
				<guid isPermaLink="false">7b8a5158f3f88eb6b8487d7c45e051c5</guid>
				<title>Jacquelyn Marie Shannon&#039;s profile was updated</title>
				<link>https://commons.gc.cuny.edu/activity/p/678274/</link>
				<pubDate>Mon, 29 Jun 2020 15:09:38 -0400</pubDate>

				
				
							</item>
					<item>
				<guid isPermaLink="false">9534fc18cc75fe42d699711544aa6c59</guid>
				<title>Jacquelyn Marie Shannon changed their profile picture</title>
				<link>https://commons.gc.cuny.edu/activity/p/678273/</link>
				<pubDate>Mon, 29 Jun 2020 15:08:13 -0400</pubDate>

				
				
							</item>
					<item>
				<guid isPermaLink="false">cc5ea45eb4bc22b3515dbcad8d932b27</guid>
				<title>Jacquelyn Marie Shannon wrote a new post on the site Arab Stages</title>
				<link>https://arabstages.commons.gc.cuny.edu/?p=2758</link>
				<pubDate>Mon, 02 Dec 2019 22:51:43 -0500</pubDate>

									<content:encoded><![CDATA[<p>The Boatman<br />
a play by<br />
Sameh Mahran<br />
 <br />
Translated by<br />
Dina Amin<br />
 Act I</p>
<p>(A young man &amp; woman sit on a bench far from one another on a cornice overlooking the sea) [1]</p>
<p>Young man:           I want to kiss yo [&hellip;] <img loading="lazy" src="https://arabstages.commons.gc.cuny.edu/wp-content/blogs.dir/2136/files/2018/10/logo-segal-center.png" /></p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">cc9f889641936791d01cb1fc7ce19aad</guid>
				<title>Jacquelyn Marie Shannon wrote a new post on the site Arab Stages</title>
				<link>https://arabstages.commons.gc.cuny.edu/?p=2687</link>
				<pubDate>Tue, 12 Nov 2019 00:44:42 -0500</pubDate>

									<content:encoded><![CDATA[<p>Sanaz Ghajar, Iranian Girlfriend (October 3)</p>
<p>PRELUDE 2019, the sixteenth annual Prelude Festival presented by the Martin E. Segal Center at The Graduate Center, CUNY, and co-curated by Sanaz Ghajar and [&hellip;] <img loading="lazy" src="https://arabstages.commons.gc.cuny.edu/wp-content/blogs.dir/2136/files/2019/11/Sanaz_Prelude_01.jpg" /></p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">470769da3049e7585199d26c5f7cdb78</guid>
				<title>Jacquelyn Marie Shannon wrote a new post on the site Arab Stages</title>
				<link>https://arabstages.commons.gc.cuny.edu/?p=2693</link>
				<pubDate>Tue, 12 Nov 2019 00:43:41 -0500</pubDate>

									<content:encoded><![CDATA[<p> 	The Boatman: A Play by Sameh Mahran | Translated by Dina Amin</p>
<p>It is always refreshing when one finds in the market a new collection of translated Arabic plays. Recently an anthology of Arabic plays [&hellip;] <img loading="lazy" src="https://arabstages.commons.gc.cuny.edu/wp-content/blogs.dir/2136/files/2019/11/Areeg_Saag_Bookcover.jpg" /></p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">f03b0d37ff9efddd228d8bca232ac6c4</guid>
				<title>Jacquelyn Marie Shannon wrote a new post on the site Arab Stages</title>
				<link>https://arabstages.commons.gc.cuny.edu/?p=2637</link>
				<pubDate>Tue, 12 Nov 2019 00:42:28 -0500</pubDate>

									<content:encoded><![CDATA[<p>J.T. Rogers&#8217; Tony Award winning play, Oslo, gives us a front row seat to the secret backchannel negotiations that made the Oslo Accords possible. The Oslo Accords, signed in 1993 by representatives from both [&hellip;] <img loading="lazy" src="https://arabstages.commons.gc.cuny.edu/wp-content/blogs.dir/2136/files/2019/11/Bergenstock_oslo.jpg" /></p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">5ac4a9e349ad82db056c8901c3e53e96</guid>
				<title>Jacquelyn Marie Shannon wrote a new post on the site Arab Stages</title>
				<link>https://arabstages.commons.gc.cuny.edu/?p=2681</link>
				<pubDate>Mon, 11 Nov 2019 23:52:40 -0500</pubDate>

									<content:encoded><![CDATA[<p>The Kusntenfestivaldesarts 2019 (Brussels) hosted several shows from Middle Eastern artists this year.  Reflecting and sensitivity to presenting a diversity of shows from different cultures, shows from the [&hellip;] <img loading="lazy" src="https://arabstages.commons.gc.cuny.edu/wp-content/blogs.dir/2136/files/2019/11/Martinez_Phantom-Beard.-Photo-Nureth-Wagner-Strauss.jpg" /></p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">a1bbf6185740c9b7487880c532d6f529</guid>
				<title>Jacquelyn Marie Shannon wrote a new post on the site Arab Stages</title>
				<link>https://arabstages.commons.gc.cuny.edu/?p=2675</link>
				<pubDate>Mon, 11 Nov 2019 23:45:20 -0500</pubDate>

									<content:encoded><![CDATA[<p>The 2019 edition of the leading international theatre festival at Avignon offered two contributions from the Arab World among its featured presentations. These were Mahmoud &amp; Nini , written and directed by [&hellip;] <img loading="lazy" src="https://arabstages.commons.gc.cuny.edu/wp-content/blogs.dir/2136/files/2019/11/Carlson-Avignon_01.jpg" /></p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">55b15107cbe43efcc0b1f116f71ed72a</guid>
				<title>Jacquelyn Marie Shannon wrote a new post on the site Arab Stages</title>
				<link>https://arabstages.commons.gc.cuny.edu/?p=2654</link>
				<pubDate>Mon, 11 Nov 2019 23:40:21 -0500</pubDate>

									<content:encoded><![CDATA[<p>Upon looking at Turkey from afar one can see several negative processes.  The first thing that comes to our mind is imprisoned journalists, academics, politicians and artists. The Constitution which was [&hellip;] <img loading="lazy" src="https://arabstages.commons.gc.cuny.edu/wp-content/blogs.dir/2136/files/2019/11/zabel-Photo-BGST.jpg" /></p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">23131552982d0010c3a2391d66f77817</guid>
				<title>Jacquelyn Marie Shannon wrote a new post on the site Arab Stages</title>
				<link>https://arabstages.commons.gc.cuny.edu/?p=2646</link>
				<pubDate>Mon, 11 Nov 2019 23:34:22 -0500</pubDate>

									<content:encoded><![CDATA[<p>For a while, I have been interested in the ways how the contemporary theatre in Turkey deals with the current political situation, how theatre responds to and reflects the political turmoil which is being [&hellip;] <img loading="lazy" src="https://arabstages.commons.gc.cuny.edu/wp-content/blogs.dir/2136/files/2019/11/Ejder_Trial_6_Banu.png" /></p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">9cd3e1651775dcb8478afe0b2d227072</guid>
				<title>Jacquelyn Marie Shannon wrote a new post on the site Arab Stages</title>
				<link>https://arabstages.commons.gc.cuny.edu/?p=2643</link>
				<pubDate>Mon, 11 Nov 2019 23:29:25 -0500</pubDate>

									<content:encoded><![CDATA[<p>“You cheer your team when they score a goal, yes? You wave the flag, you cheer your troops … And after you cheer you switch off the TV and forget. You forget what has been done. For you. In your nam [&hellip;] <img loading="lazy" src="https://arabstages.commons.gc.cuny.edu/wp-content/blogs.dir/2136/files/2019/11/Najjar_Hostages.png" /></p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">09c3aa686fa85e0a19fce6e81265722e</guid>
				<title>Jacquelyn Marie Shannon wrote a new post on the site Arab Stages</title>
				<link>https://arabstages.commons.gc.cuny.edu/?p=2690</link>
				<pubDate>Mon, 11 Nov 2019 22:52:23 -0500</pubDate>

									<content:encoded><![CDATA[<p>“When asked about his opinion on the phenomenon of ‘political control of a population,’ Foucault responded, “. . .power had to gain access to the bodies of individuals, to their acts, attitudes, and modes o [&hellip;] <img loading="lazy" src="https://arabstages.commons.gc.cuny.edu/wp-content/blogs.dir/2136/files/2019/11/Amin_Mahran.jpg" /></p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">aae6f0fa6f25595338416652879f1d71</guid>
				<title>Jacquelyn Marie Shannon wrote a new post on the site Arab Stages</title>
				<link>https://arabstages.commons.gc.cuny.edu/?p=2621</link>
				<pubDate>Mon, 11 Nov 2019 22:43:43 -0500</pubDate>

									<content:encoded><![CDATA[<p> </p>
<p>In recent years, political migration has been one of the hottest topics in international politics. Its real moral complexity is often bypassed in the rush to make various nationalist assertions, while [&hellip;] <img loading="lazy" src="https://arabstages.commons.gc.cuny.edu/wp-content/blogs.dir/2136/files/2019/11/Potenza_Humanism-through-performative-arts_15_02.jpg" /></p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">5a5a1d50f00788412f28b4a7a0a700f3</guid>
				<title>Jacquelyn Marie Shannon wrote a new post on the site Arab Stages</title>
				<link>https://arabstages.commons.gc.cuny.edu/?p=2633</link>
				<pubDate>Mon, 04 Nov 2019 02:59:35 -0500</pubDate>

									<content:encoded><![CDATA[<p>On its opening day, 1s February, 2018, the Egyptian National Theatre in downtown Cairo showcased Laugh Till/When You Die (Idhak lama t’moot), Lenin el Ramly’s last play, directed by his longtime artistic par [&hellip;] <img loading="lazy" src="https://arabstages.commons.gc.cuny.edu/wp-content/blogs.dir/2136/files/2019/11/Sami_LaughTill.png" /></p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">9e50a978f28dc2e9cec4038b70b26a32</guid>
				<title>Jacquelyn Marie Shannon wrote a new post on the site Arab Stages</title>
				<link>https://arabstages.commons.gc.cuny.edu/?p=2628</link>
				<pubDate>Mon, 04 Nov 2019 02:50:33 -0500</pubDate>

									<content:encoded><![CDATA[<p>“Write what you know,” two generations of American writing students have been schooled. On some campuses the stakes have risen further: “How dare you write what you don’t know?” Regarding the Arab world, be [&hellip;] <img loading="lazy" src="https://arabstages.commons.gc.cuny.edu/wp-content/blogs.dir/2136/files/2019/11/Litvin_WeLiveInCairo_02.jpg" /></p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">5bb6c7ce783b642c4b5dab7f1b1f7b85</guid>
				<title>Jacquelyn Marie Shannon wrote a new post on the site Arab Stages</title>
				<link>https://arabstages.commons.gc.cuny.edu/?p=2607</link>
				<pubDate>Mon, 04 Nov 2019 02:17:04 -0500</pubDate>

									<content:encoded><![CDATA[<p>Sami Abdul-Hamid, one of the most significant directors of the modern Iraqi theatre, died on Sunday, 29 September 2019, at the age of 91. He was born in Samaqah, Iraq, in 1928 and studied theatre in London and [&hellip;] <img loading="lazy" src="https://arabstages.commons.gc.cuny.edu/wp-content/blogs.dir/2136/files/2019/10/Hamid_InMemoriam_01.jpg" /></p>
]]></content:encoded>
				
				
							</item>
					<item>
				<guid isPermaLink="false">935f0f13e372dc1f2a104189a1760010</guid>
				<title>Jacquelyn Marie Shannon became a registered member</title>
				<link>https://commons.gc.cuny.edu/activity/p/606550/</link>
				<pubDate>Tue, 29 Oct 2019 19:38:34 -0400</pubDate>

				
				
							</item>
		
	</channel>
</rss>