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	<title>CUNY Academic Commons | James Armstrong | Activity</title>
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				<title>James Armstrong wrote a new post on the site https://jadt.commons.gc.cuny.edu</title>
				<link>http://jadtjournal.org/?p=2295</link>
				<pubDate>Fri, 03 Jun 2016 21:12:29 -0400</pubDate>

									<content:encoded><![CDATA[<p>by Iris Smith Fischer<br />
The Journal of American Drama and Theatre<br />
Volume 28, Number 2 (Spring 2016)<br />
 ISNN 2376-4236<br />
©2016 by Martin E. Segal Theatre Center</p>
<p>This special issue, sponsored by the American [&hellip;] <img loading="lazy" src="http://jadtjournal.org/files/2014/11/Logo_Publications.jpg" /></p>
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				<title>James Armstrong wrote a new post on the site https://jadt.commons.gc.cuny.edu</title>
				<link>http://jadtjournal.org/?p=2283</link>
				<pubDate>Wed, 01 Jun 2016 16:36:45 -0400</pubDate>

									<content:encoded><![CDATA[<p>Introduction: Performance as Alternate Form of Inquiry in the Age of STEM by Iris Smith Fischer, Guest Editor</p>
<p>This In-Between Life: Disability, Trans-Corporeality, and Radioactive Half-Life in D. W. [&hellip;]</p>
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				<title>James Armstrong wrote a new post on the site https://jadt.commons.gc.cuny.edu</title>
				<link>http://jadtjournal.org/?p=2266</link>
				<pubDate>Fri, 27 May 2016 21:05:20 -0400</pubDate>

									<content:encoded><![CDATA[<p>iDream: Addressing the Gender Imbalance in STEM through Research-Informed Theatre for Social Change by Eileen Trauth, Karen Keifer-Boyd and Suzanne Trauth</p>
<p>Setting the Stage for Science Communication: [&hellip;]</p>
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				<title>James Armstrong wrote a new post on the site https://jadt.commons.gc.cuny.edu</title>
				<link>http://jadtjournal.org/?p=2244</link>
				<pubDate>Fri, 27 May 2016 20:22:04 -0400</pubDate>

									<content:encoded><![CDATA[<p>by George Pate and Libby Ricardo<br />
The Journal of American Drama and Theatre<br />
Volume 28, Number 2 (Spring 2016)<br />
 ISNN 2376-4236<br />
©2016 by Martin E. Segal Theatre Center</p>
<p>In the Summer of 2010, the worlds of [&hellip;] <img loading="lazy" src="http://jadtjournal.org/files/2014/11/Logo_Publications.jpg" /></p>
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				<title>James Armstrong wrote a new post on the site https://jadt.commons.gc.cuny.edu</title>
				<link>http://jadtjournal.org/?p=2223</link>
				<pubDate>Fri, 27 May 2016 20:16:52 -0400</pubDate>

									<content:encoded><![CDATA[<p>by Cindy L. Duckert and Elizabeth A. De Stasio<br />
The Journal of American Drama and Theatre<br />
Volume 28, Number 2 (Spring 2016)<br />
 ISNN 2376-4236<br />
©2016 by Martin E. Segal Theatre Center</p>
<p>The education and tr [&hellip;] <img loading="lazy" src="http://jadtjournal.org/files/2016/05/Figure1.jpg" /></p>
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				<title>James Armstrong wrote a new post on the site https://jadt.commons.gc.cuny.edu</title>
				<link>http://jadtjournal.org/?p=2252</link>
				<pubDate>Fri, 27 May 2016 20:11:19 -0400</pubDate>

									<content:encoded><![CDATA[<p>by Eileen Trauth, Karen Keifer-Boyd and Suzanne Trauth<br />
The Journal of American Drama and Theatre<br />
Volume 28, Number 2 (Spring 2016)<br />
 ISNN 2376-4236<br />
©2016 by Martin E. Segal Theatre [&hellip;] <img loading="lazy" src="http://jadtjournal.org/files/2014/11/Logo_Publications.jpg" /></p>
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				<title>James Armstrong wrote a new post on the site https://jadt.commons.gc.cuny.edu</title>
				<link>http://jadtjournal.org/?p=2217</link>
				<pubDate>Fri, 27 May 2016 18:57:57 -0400</pubDate>

									<content:encoded><![CDATA[<p>by Bradley Stephenson<br />
The Journal of American Drama and Theatre<br />
Volume 28, Number 2 (Spring 2016)<br />
 ISNN 2376-4236<br />
©2016 by Martin E. Segal Theatre Center</p>
<p>D.W. Gregory’s most famous and most produced pl [&hellip;] <img loading="lazy" src="http://jadtjournal.org/files/2014/11/Logo_Publications.jpg" /></p>
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				<title>James Armstrong wrote a new post on the site https://jadt.commons.gc.cuny.edu</title>
				<link>http://jadtjournal.org/?p=2248</link>
				<pubDate>Thu, 26 May 2016 19:23:03 -0400</pubDate>

									<content:encoded><![CDATA[<p>Susan Kattwinkel, Editor</p>
<p> <br />
Blue Collar Broadway: The Craft and Industry of American Theater<br />
By Timothy R. White<br />
Reviewed by David Bisaha<br />
 <br />
The New Humor in the Progressive Era: Americanization a [&hellip;]</p>
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				<title>James Armstrong wrote a new post on the site https://jadt.commons.gc.cuny.edu</title>
				<link>http://jadtjournal.org/?p=2192</link>
				<pubDate>Thu, 26 May 2016 19:08:23 -0400</pubDate>

									<content:encoded><![CDATA[<p>Blue Collar Broadway: The Craft and Industry of American Theater. By Timothy R. White. Philadelphia: University of Pennsylvania Press, 2015; Pp. 275.</p>
<p>Blue-Collar Broadway: The Craft and Industry of American [&hellip;]</p>
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				<title>James Armstrong wrote a new post on the site https://jadt.commons.gc.cuny.edu</title>
				<link>http://jadtjournal.org/?p=2188</link>
				<pubDate>Thu, 26 May 2016 19:07:15 -0400</pubDate>

									<content:encoded><![CDATA[<p>The New Humor in the Progressive Era: Americanization and the Vaudeville Comedian. By Rick DesRochers. New York: Palgrave Macmillan, 2014. Pp. 187.</p>
<p>Rick DesRochers’s exploration of vaudeville comedians and c [&hellip;]</p>
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				<title>James Armstrong wrote a new post on the site https://jadt.commons.gc.cuny.edu</title>
				<link>http://jadtjournal.org/?p=2195</link>
				<pubDate>Thu, 26 May 2016 19:01:50 -0400</pubDate>

									<content:encoded><![CDATA[<p>Stages of Engagement. Edited by Joshua E. Polster. Routledge Press: New York, NY, 2016. Pp. 241.</p>
<p>Joshua Polster’s Stages of Engagement features eight essays that examine the relationship between United States s [&hellip;]</p>
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				<title>James Armstrong wrote a new post on the site https://jadt.commons.gc.cuny.edu</title>
				<link>http://jadtjournal.org/?p=1981</link>
				<pubDate>Wed, 23 Mar 2016 20:35:14 -0400</pubDate>

									<content:encoded><![CDATA[<p>Performing Anti-slavery: Activist Women on Antebellum Stages. By Gay Gibson Cima. Cambridge: Cambridge University Press, 2014. Pp. xiii + 298.</p>
<p>Gay Gibson Cima&#8217;s new book, Performing Anti-Slavery, should become [&hellip;]</p>
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				<title>James Armstrong wrote a new post on the site https://jadt.commons.gc.cuny.edu</title>
				<link>http://jadtjournal.org/?p=1968</link>
				<pubDate>Wed, 23 Mar 2016 20:34:36 -0400</pubDate>

									<content:encoded><![CDATA[<p>American Tragedian: The Life of Edwin Booth. By Daniel J. Watermeier. Columbia: University of Missouri Press, 2015; Pp. 464.</p>
<p>More has been written on Edwin Booth than any other American actor. Three popular [&hellip;]</p>
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				<title>James Armstrong wrote a new post on the site https://jadt.commons.gc.cuny.edu</title>
				<link>http://jadtjournal.org/?p=1978</link>
				<pubDate>Wed, 23 Mar 2016 20:32:55 -0400</pubDate>

									<content:encoded><![CDATA[<p>Murder Most Queer: The Homicidal Homosexual in the American Theater. By Jordan Schildcrout. Ann Arbor: University of Michigan Press, 2014. Pp. 268.</p>
<p>Jordan Schildcrout’s Murder Most Queer: The Homicidal H [&hellip;]</p>
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				<title>James Armstrong wrote a new post on the site https://jadt.commons.gc.cuny.edu</title>
				<link>http://jadtjournal.org/?p=1972</link>
				<pubDate>Wed, 23 Mar 2016 20:32:23 -0400</pubDate>

									<content:encoded><![CDATA[<p>The Captive Stage: Performance and the Proslavery Imagination of the Antebellum North. By Douglas A. Jones, Jr.  Theater: Theory/Text/Performance series. Ann Arbor: The University of Michigan Press, 2014. Pp. [&hellip;]</p>
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				<title>James Armstrong wrote a new post on the site https://jadt.commons.gc.cuny.edu</title>
				<link>http://jadtjournal.org/?p=1991</link>
				<pubDate>Wed, 23 Mar 2016 20:31:36 -0400</pubDate>

									<content:encoded><![CDATA[<p>The Journal of American Drama and Theatre asked seven leading scholars to comment on how they saw the state of our field today. This is what they wrote.</p>
<p>New Directions in Dramatic and Theatrical Theory: The [&hellip;]</p>
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				<title>James Armstrong wrote a new post on the site https://jadt.commons.gc.cuny.edu</title>
				<link>http://jadtjournal.org/?p=1995</link>
				<pubDate>Wed, 23 Mar 2016 20:31:01 -0400</pubDate>

									<content:encoded><![CDATA[<p>by Kevin Byrne<br />
The Journal of American Drama and Theatre<br />
Volume 28, Number 1 (Winter 2016)<br />
 ISNN 2376-4236<br />
©2016 by Martin E. Segal Theatre Center</p>
<p>African American theatre history scholarship has [&hellip;]</p>
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				<title>James Armstrong wrote a new post on the site https://jadt.commons.gc.cuny.edu</title>
				<link>http://jadtjournal.org/?p=1993</link>
				<pubDate>Wed, 23 Mar 2016 20:30:27 -0400</pubDate>

									<content:encoded><![CDATA[<p>by Michael Y. Bennett<br />
The Journal of American Drama and Theatre<br />
Volume 28, Number 1 (Winter 2016)<br />
 ISNN 2376-4236<br />
©2016 by Martin E. Segal Theatre Center</p>
<p>There has been rising interest in theatre [&hellip;]</p>
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				<title>James Armstrong wrote a new post on the site https://jadt.commons.gc.cuny.edu</title>
				<link>http://jadtjournal.org/?p=2006</link>
				<pubDate>Wed, 23 Mar 2016 20:29:58 -0400</pubDate>

									<content:encoded><![CDATA[<p>by Jorge Huerta<br />
The Journal of American Drama and Theatre<br />
Volume 28, Number 1 (Winter 2016)<br />
 ISNN 2376-4236<br />
©2016 by Martin E. Segal Theatre Center</p>
<p>Much has happened in the field of Chicano theatre [&hellip;]</p>
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				<title>James Armstrong wrote a new post on the site https://jadt.commons.gc.cuny.edu</title>
				<link>http://jadtjournal.org/?p=2010</link>
				<pubDate>Wed, 23 Mar 2016 20:29:09 -0400</pubDate>

									<content:encoded><![CDATA[<p>by Esther Kim Lee<br />
The Journal of American Drama and Theatre<br />
Volume 28, Number 1 (Winter 2016)<br />
 ISNN 2376-4236<br />
©2016 by Martin E. Segal Theatre Center</p>
<p>When I was writing my dissertation in the late [&hellip;]</p>
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				<title>James Armstrong wrote a new post on the site https://jadt.commons.gc.cuny.edu</title>
				<link>http://jadtjournal.org/?p=2012</link>
				<pubDate>Wed, 23 Mar 2016 20:28:34 -0400</pubDate>

									<content:encoded><![CDATA[<p>by Jordan Schildcrout<br />
The Journal of American Drama and Theatre<br />
Volume 28, Number 1 (Winter 2016)<br />
 ISNN 2376-4236<br />
©2016 by Martin E. Segal Theatre Center</p>
<p>I consider it a sign of the vibrancy of queer [&hellip;]</p>
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				<title>James Armstrong wrote a new post on the site https://jadt.commons.gc.cuny.edu</title>
				<link>http://jadtjournal.org/?p=2018</link>
				<pubDate>Wed, 23 Mar 2016 20:27:58 -0400</pubDate>

									<content:encoded><![CDATA[<p>by Stacy Wolf<br />
The Journal of American Drama and Theatre<br />
Volume 28, Number 1 (Winter 2016)<br />
 ISNN 2376-4236<br />
©2016 by Martin E. Segal Theatre Center</p>
<p>Musical Theatre Studies, whose presence as a viable [&hellip;]</p>
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				<title>James Armstrong wrote a new post on the site https://jadt.commons.gc.cuny.edu</title>
				<link>http://jadtjournal.org/?p=2015</link>
				<pubDate>Wed, 23 Mar 2016 20:27:25 -0400</pubDate>

									<content:encoded><![CDATA[<p>by Maurya Wickstrom<br />
The Journal of American Drama and Theatre<br />
Volume 28, Number 1 (Winter 2016)<br />
 ISNN 2376-4236<br />
©2016 by Martin E. Segal Theatre Center</p>
<p>Over the past couple of years, I have been [&hellip;]</p>
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				<title>James Armstrong wrote a new post on the site https://jadt.commons.gc.cuny.edu</title>
				<link>http://jadtjournal.org/?p=2028</link>
				<pubDate>Wed, 23 Mar 2016 20:25:02 -0400</pubDate>

									<content:encoded><![CDATA[<p>Robert E. Sherwood’s biblical source for the title of his play There Shall Be No Night is useful for establishing context for the contemporary controversy the play was part of, as well as the lack of subsequent c [&hellip;] <img loading="lazy" src="http://jadtjournal.org/files/2014/11/Logo_Publications.jpg" /></p>
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				<title>James Armstrong wrote a new post on the site https://jadt.commons.gc.cuny.edu</title>
				<link>http://jadtjournal.org/?p=2050</link>
				<pubDate>Wed, 23 Mar 2016 20:15:30 -0400</pubDate>

									<content:encoded><![CDATA[<p>In JADT’s inaugural issue co-editors Vera Mowry Roberts and Walter J. Meserve declared their intentions for launching the fledgling journal, stating: “our aim is to promote research on American playwrights, Ame [&hellip;]</p>
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				<title>James Armstrong wrote a new post on the site https://jadt.commons.gc.cuny.edu</title>
				<link>http://jadtjournal.org/?p=2039</link>
				<pubDate>Wed, 23 Mar 2016 20:14:37 -0400</pubDate>

									<content:encoded><![CDATA[<p>During the spring of 2013, Nora Ephron’s play Lucky Guy played to sold out houses recouping its producers’ initial investment of $3.6 million after a mere eight weeks, a remarkable feat for a Broadway drama. Whe [&hellip;] <img loading="lazy" src="http://jadtjournal.org/files/2014/11/Logo_Publications.jpg" /></p>
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				<title>James Armstrong became a registered member</title>
				<link>https://commons.gc.cuny.edu/activity/p/423910/</link>
				<pubDate>Mon, 11 Jan 2016 20:07:56 -0500</pubDate>

				
				
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