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	<title>CUNY Academic Commons | Curtis Russell | Activity</title>
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				<title>Curtis Russell wrote a new post on the site https://jadt.commons.gc.cuny.edu</title>
				<link>http://jadtjournal.org/?p=2577</link>
				<pubDate>Tue, 12 Dec 2017 02:56:30 -0500</pubDate>

									<content:encoded><![CDATA[<p>Donatella Galella, Editor<br />
American Musical Theater<br />
By James Leve<br />
Reviewed by Eric M. Glover</p>
<p>May Irwin: Singing, Shouting, and the Shadow of Minstrelsy<br />
By Sharon Ammen<br />
Reviewed by Franklin J. [&hellip;]</p>
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				<title>Curtis Russell wrote a new post on the site https://jadt.commons.gc.cuny.edu</title>
				<link>http://jadtjournal.org/?p=2580</link>
				<pubDate>Tue, 12 Dec 2017 02:55:18 -0500</pubDate>

									<content:encoded><![CDATA[<p>American Musical Theater. James Leve. New York: Oxford University Press, 2015; Pp. 448.</p>
<p>American Musical Theater by James Leve provides instructors and students with an interdisciplinary approach to the history [&hellip;]</p>
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				<title>Curtis Russell wrote a new post on the site https://jadt.commons.gc.cuny.edu</title>
				<link>http://jadtjournal.org/?p=2583</link>
				<pubDate>Tue, 12 Dec 2017 02:54:18 -0500</pubDate>

									<content:encoded><![CDATA[<p>May Irwin: Singing, Shouting, and the Shadow of Minstrelsy. Sharon Ammen. Urbana, IL: University of Illinois Press, 2017; Pp. 296.</p>
<p>In 1981, popular culture scholar Anthony Slide wrote, “if May Irwin is r [&hellip;]</p>
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				<title>Curtis Russell wrote a new post on the site https://jadt.commons.gc.cuny.edu</title>
				<link>http://jadtjournal.org/?p=2585</link>
				<pubDate>Tue, 12 Dec 2017 02:53:30 -0500</pubDate>

									<content:encoded><![CDATA[<p>Chinese Looks: Fashion, Performance, Race. Sean Metzger. Bloomington and Indianapolis: Indiana University Press, 2014; Pp. 300.</p>
<p>The 2015 theme for the Metropolitan Museum Costume Institute exhibition and gala [&hellip;]</p>
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				<link>http://jadtjournal.org/?p=2588</link>
				<pubDate>Tue, 12 Dec 2017 02:52:11 -0500</pubDate>

									<content:encoded><![CDATA[<p>New York’s Yiddish Theater: From the Bowery to Broadway. Edna Nahshon, ed. New York: Columbia University Press in association with the Museum of the City of New York, 2016; Pp. 237.</p>
<p>New York’s Yiddish The [&hellip;]</p>
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				<title>Curtis Russell wrote a new post on the site https://jadt.commons.gc.cuny.edu</title>
				<link>http://jadtjournal.org/?p=2590</link>
				<pubDate>Tue, 12 Dec 2017 02:50:42 -0500</pubDate>

									<content:encoded><![CDATA[<p>Actor-Musicianship. Jeremy Harrison. London, New York: Bloomsbury, 2016; Pp. 220.</p>
<p>The Complete Book of 1940s Broadway Musicals. Dan Dietz. London: Rowman &amp; Littlefield, 2015; Pp. 591.</p>
<p>Musical Theatre Song. [&hellip;]</p>
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				<title>Curtis Russell wrote a new post on the site https://jadt.commons.gc.cuny.edu</title>
				<link>http://jadtjournal.org/?p=2615</link>
				<pubDate>Tue, 12 Dec 2017 02:47:23 -0500</pubDate>

									<content:encoded><![CDATA[<p>If you would like to write a review for JADT, please contact our current book review editor Donatella Galella at <a href="mailto:galella@ucr.edu" rel="nofollow ugc">galella@ucr.edu</a>. If you know of a book that would be suitable for review in JADT, please mail a copy [&hellip;]</p>
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				<title>Curtis Russell wrote a new post on the site https://jadt.commons.gc.cuny.edu</title>
				<link>http://jadtjournal.org/?p=2570</link>
				<pubDate>Tue, 12 Dec 2017 02:42:17 -0500</pubDate>

									<content:encoded><![CDATA[<p>by Derek Miller<br />
The Journal of American Drama and Theatre<br />
Volume 30, Number 1 (Fall 2017)<br />
 ISNN 2376-4236<br />
©2017 by Martin E. Segal Theatre Center</p>
<p>To begin at the end: actors land in a tableau; lights f [&hellip;] <img loading="lazy" src="http://jadtjournal.org/files/2014/11/Logo_Publications.jpg" /></p>
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				<link>http://jadtjournal.org/?p=2568</link>
				<pubDate>Tue, 12 Dec 2017 02:39:49 -0500</pubDate>

									<content:encoded><![CDATA[<p>by Jeanne Klein<br />
The Journal of American Drama and Theatre<br />
Volume 30, Number 1 (Fall 2017)<br />
 ISNN 2376-4236<br />
©2017 by Martin E. Segal Theatre Center</p>
<p> </p>
<p>I’ve done my duty, and I’ve done no more. [&hellip;] <img loading="lazy" src="http://jadtjournal.org/files/2014/11/Logo_Publications.jpg" /></p>
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				<title>Curtis Russell wrote a new post on the site https://jadt.commons.gc.cuny.edu</title>
				<link>http://jadtjournal.org/?p=2564</link>
				<pubDate>Tue, 12 Dec 2017 02:36:48 -0500</pubDate>

									<content:encoded><![CDATA[<p>by Paul Gagliardi<br />
The Journal of American Drama and Theatre<br />
Volume 30, Number 1 (Fall 2017)<br />
 ISNN 2376-4236<br />
©2017 by Martin E. Segal Theatre Center</p>
<p>In a chapter of her memoir on her tenure as leader o [&hellip;] <img loading="lazy" src="http://jadtjournal.org/files/2014/11/Logo_Publications.jpg" /></p>
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				<title>Curtis Russell wrote a new post on the site https://jadt.commons.gc.cuny.edu</title>
				<link>http://jadtjournal.org/?p=2594</link>
				<pubDate>Mon, 11 Dec 2017 16:25:06 -0500</pubDate>

									<content:encoded><![CDATA[<p>by Jordan Schildcrout<br />
The Journal of American Drama and Theatre<br />
Volume 30, Number 1 (Fall 2017)<br />
 ISNN 2376-4236<br />
©2017 by Martin E. Segal Theatre Center</p>
<p>From 1969 to 1974, after the premiere of Mart C [&hellip;] <img loading="lazy" src="http://jadtjournal.org/wp-content/blogs.dir/1739/files/2017/12/Image-1-Tubstrip-Off-Bway-Poster_preview-1-422x606.jpg" /></p>
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				<title>Curtis Russell wrote a new post on the site https://jadt.commons.gc.cuny.edu</title>
				<link>http://jadtjournal.org/?p=2517</link>
				<pubDate>Mon, 05 Jun 2017 02:34:38 -0400</pubDate>

									<content:encoded><![CDATA[<p>The American Theatre and Drama Society invites submissions for the Spring 2018 issue of The Journal of American Drama and Theatre</p>
<p>Mediations of Authorship in American Postdramatic Mediaturgies</p>
<p>Submission [&hellip;]</p>
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				<title>Curtis Russell wrote a new post on the site https://jadt.commons.gc.cuny.edu</title>
				<link>http://jadtjournal.org/?p=2509</link>
				<pubDate>Mon, 05 Jun 2017 02:12:56 -0400</pubDate>

									<content:encoded><![CDATA[<p>Susan Kattwinkel, Editor<br />
Acting in the Academy<br />
By Peter Zazzali<br />
Reviewed by Jennifer Joan Thompson</p>
<p>Directing Shakespeare in America<br />
By Charles Ney<br />
Reviewed by Deric McNish</p>
<p>Ruth Maleczech at Mabou [&hellip;]</p>
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				<title>Curtis Russell wrote a new post on the site https://jadt.commons.gc.cuny.edu</title>
				<link>http://jadtjournal.org/?p=2507</link>
				<pubDate>Mon, 05 Jun 2017 01:52:42 -0400</pubDate>

									<content:encoded><![CDATA[<p>Acting in the Academy: The history of professional actor training in US higher education. Peter Zazzali. London, New York: Routledge, 2016; Pp. 219.</p>
<p>In Acting in the Academy, Peter Zazzali marshals some rather [&hellip;]</p>
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				<title>Curtis Russell wrote a new post on the site https://jadt.commons.gc.cuny.edu</title>
				<link>http://jadtjournal.org/?p=2503</link>
				<pubDate>Mon, 05 Jun 2017 01:48:44 -0400</pubDate>

									<content:encoded><![CDATA[<p>Directing Shakespeare in America: Current Practices. By Charles Ney. London UK, New York NY: Bloomsbury Arden Shakespeare, 2016. Pp. 362.</p>
<p>Charles Ney’s Directing Shakespeare in America: Current Practices is a [&hellip;]</p>
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				<title>Curtis Russell wrote a new post on the site https://jadt.commons.gc.cuny.edu</title>
				<link>http://jadtjournal.org/?p=2500</link>
				<pubDate>Mon, 05 Jun 2017 01:45:44 -0400</pubDate>

									<content:encoded><![CDATA[<p>The Theatre of David Henry Hwang. By Esther Kim Lee. New York: Bloomsbury Methuen Drama, 2015; pp. x + 207.</p>
<p>The work of David Henry Hwang represents an intersection of many of the most prominent concerns of [&hellip;]</p>
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				<link>http://jadtjournal.org/?p=2496</link>
				<pubDate>Mon, 05 Jun 2017 01:37:37 -0400</pubDate>

									<content:encoded><![CDATA[<p>Ruth Maleczech at Mabou Mines: Woman’s Work. By Jessica Silsby Brater. Methuen Drama Engage Series. Series editors Enoch Brater and Mark Taylor-Batty. London: Bloomsbury Methuen Drama Press, 2016; Pp. 2 [&hellip;]</p>
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				<link>http://jadtjournal.org/?p=2494</link>
				<pubDate>Mon, 05 Jun 2017 00:55:24 -0400</pubDate>

									<content:encoded><![CDATA[<p>The term “Anthropocene” entered general scientific discourse in 2002, when chemist-geologist Paul Crutzen published an article in Nature advocating that his colleagues adopt this name for the current geo [&hellip;]</p>
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				<title>Curtis Russell wrote a new post on the site https://jadt.commons.gc.cuny.edu</title>
				<link>http://jadtjournal.org/?p=2477</link>
				<pubDate>Fri, 02 Jun 2017 18:49:53 -0400</pubDate>

									<content:encoded><![CDATA[<p>Global climate change has been a major issue of concern and political debate in the US and internationally for over 20 years, marked notably by the Kyoto Protocol in 1992. While politically-fraught contention [&hellip;] <img loading="lazy" src="http://jadtjournal.org/files/2014/11/Logo_Publications.jpg" /></p>
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				<title>Curtis Russell wrote a new post on the site https://jadt.commons.gc.cuny.edu</title>
				<link>http://jadtjournal.org/?p=2470</link>
				<pubDate>Mon, 15 May 2017 20:28:01 -0400</pubDate>

									<content:encoded><![CDATA[<p>In 1980, Ricardo Monti’s play Marrathon premieres in Buenos Aires.[1] In this play, the Argentine playwright presents the self-destructive specter of fascism as the effect of ideologies with a long historical t [&hellip;] <img loading="lazy" src="http://jadtjournal.org/files/2014/11/Logo_Publications.jpg" /></p>
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				<title>Curtis Russell wrote a new post on the site https://jadt.commons.gc.cuny.edu</title>
				<link>http://jadtjournal.org/?p=2466</link>
				<pubDate>Mon, 15 May 2017 19:32:57 -0400</pubDate>

									<content:encoded><![CDATA[<p>In 1994 Una Chaudhuri challenged theatre artists to provide new visions of what it means to be human within an ecological context, writing that the art of theatre must participate in “a transvaluation so p [&hellip;] <img loading="lazy" src="http://jadtjournal.org/files/2014/11/Logo_Publications.jpg" /></p>
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				<title>Curtis Russell wrote a new post on the site https://jadt.commons.gc.cuny.edu</title>
				<link>http://jadtjournal.org/?p=2460</link>
				<pubDate>Mon, 15 May 2017 19:09:16 -0400</pubDate>

									<content:encoded><![CDATA[<p>A new food cart appeared on Rivington Street in Manhattan in May 2015, serving up a brand-new confection. Living up to their reputation for pursuing the latest food trends with unbridled passion, here New York [&hellip;] <img loading="lazy" src="http://jadtjournal.org/files/2014/11/Logo_Publications.jpg" /></p>
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				<title>Curtis Russell wrote a new post on the site https://jadt.commons.gc.cuny.edu</title>
				<link>http://jadtjournal.org/?p=2452</link>
				<pubDate>Mon, 15 May 2017 18:28:39 -0400</pubDate>

									<content:encoded><![CDATA[<p>In fall 1680, the newly appointed viceroy of New Spain, Tomás de la Cerda, the Marqués de la Laguna and Conde de Paredes, made his entrance into Mexico City, passing through two triumphal arches, one municipal a [&hellip;] <img loading="lazy" src="http://jadtjournal.org/files/2014/11/Logo_Publications.jpg" /></p>
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				<title>Curtis Russell wrote a new post on the site https://jadt.commons.gc.cuny.edu</title>
				<link>http://jadtjournal.org/?p=2388</link>
				<pubDate>Fri, 23 Dec 2016 17:24:32 -0500</pubDate>

									<content:encoded><![CDATA[<p>Affective Performance and Cognitive Science: Body, Brain and Being. Edited by Nicola Shaugnessy. London: Bloomsbury, 2013; Pp. 300.</p>
<p>Although Affective Performance and Cognitive Science: Body, Brain and Being [&hellip;]</p>
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				<title>Curtis Russell wrote a new post on the site https://jadt.commons.gc.cuny.edu</title>
				<link>http://jadtjournal.org/?p=2398</link>
				<pubDate>Fri, 23 Dec 2016 17:22:37 -0500</pubDate>

									<content:encoded><![CDATA[<p>Theatre and Cognitive Neuroscience. Edited by Clelia Falletti, Gabriele Sofia, and Victor Iacono. Performance and Science: Interdisciplinary Dialogues Series. Series editors: John Lutterbie and Nicola Shaugnessy. [&hellip;]</p>
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				<title>Curtis Russell wrote a new post on the site https://jadt.commons.gc.cuny.edu</title>
				<link>http://jadtjournal.org/?p=2402</link>
				<pubDate>Fri, 23 Dec 2016 17:21:10 -0500</pubDate>

									<content:encoded><![CDATA[<p>Performance, Identity, and Immigration Law: A Theatre of Undocumentedness. By Gad Guterman. New York: Palgrave Macmillan, 2014; Pp. 236.</p>
<p>Written in 2014, Performance, Identity, and Immigration is a timely [&hellip;]</p>
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				<title>Curtis Russell wrote a new post on the site https://jadt.commons.gc.cuny.edu</title>
				<link>http://jadtjournal.org/?p=2406</link>
				<pubDate>Fri, 23 Dec 2016 17:19:22 -0500</pubDate>

									<content:encoded><![CDATA[<p>August Wilson&#8217;s Pittsburgh Cycle: Critical Perspectives on the Plays. Edited by Sandra G. Shannon. Jefferson, NC: McFarland, 2016; Pp. 211.</p>
<p>The principal undertaking of August Wilson’s playwriting c [&hellip;]</p>
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				<title>Curtis Russell wrote a new post on the site https://jadt.commons.gc.cuny.edu</title>
				<link>http://jadtjournal.org/?p=2409</link>
				<pubDate>Fri, 23 Dec 2016 17:16:20 -0500</pubDate>

									<content:encoded><![CDATA[<p>We are pleased to launch the Fall 2016/Winter 2017 issue of JADT. As we launch this issue, we would like to take the opportunity to alert you to some changes.</p>
<p>In Fall 2016 we welcomed several new members to our [&hellip;]</p>
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				<title>Curtis Russell wrote a new post on the site https://jadt.commons.gc.cuny.edu</title>
				<link>http://jadtjournal.org/?p=2381</link>
				<pubDate>Fri, 23 Dec 2016 17:13:30 -0500</pubDate>

									<content:encoded><![CDATA[<p>Susan Kattwinkel, Editor<br />
 <br />
Affective Performance and Cognitive Science: Body, Brain and Being<br />
Edited by Nicola Shaugnessy<br />
Reviewed by Natalie Tenner<br />
 <br />
August Wilson&#8217;s Pittsburgh Cycle: Critical Pe [&hellip;]</p>
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				<title>Curtis Russell wrote a new post on the site https://jadt.commons.gc.cuny.edu</title>
				<link>http://jadtjournal.org/?p=2393</link>
				<pubDate>Fri, 23 Dec 2016 15:28:31 -0500</pubDate>

									<content:encoded><![CDATA[<p>Kitchen Sink Realisms: Domestic Labor, Dining, and Drama in American Theatre. By Dorothy Chansky. Theatre History and Culture Series. Series editor Heather Nathans. Iowa City: University of Iowa Press, 2015; Pp. [&hellip;]</p>
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				<title>Curtis Russell wrote a new post on the site https://jadt.commons.gc.cuny.edu</title>
				<link>http://jadtjournal.org/?p=2353</link>
				<pubDate>Sat, 17 Dec 2016 18:53:43 -0500</pubDate>

									<content:encoded><![CDATA[<p>While playwright Chay Yew has garnered praise for his more than a half dozen plays, few scholars have completed any sustained critical engagements of his large body of work.[1] Yew’s productions commonly address q [&hellip;] <img loading="lazy" src="http://jadtjournal.org/files/2014/11/Logo_Publications.jpg" /></p>
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				<title>Curtis Russell wrote a new post on the site https://jadt.commons.gc.cuny.edu</title>
				<link>http://jadtjournal.org/?p=2344</link>
				<pubDate>Wed, 14 Dec 2016 17:34:29 -0500</pubDate>

									<content:encoded><![CDATA[<p>The early works of Amiri Baraka and Luis Valdez reflect some of their aesthetic, social, political, and ideological convergences that coincided with the tumultuous period of social protest during the 1960s and [&hellip;] <img loading="lazy" src="http://jadtjournal.org/files/2014/11/Logo_Publications.jpg" /></p>
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				<title>Curtis Russell became a registered member</title>
				<link>https://commons.gc.cuny.edu/activity/p/440057/</link>
				<pubDate>Thu, 01 Sep 2016 02:23:20 -0400</pubDate>

				
				
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