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	<title>CUNY Academic Commons | Carter Moore | Activity</title>
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				<title>Carter Moore (He/Him) wrote a new post on the site Selected Directors: Luis Buñuel</title>
				<link>https://film23106.commons.gc.cuny.edu/?p=3507</link>
				<pubDate>Sun, 23 Nov 2025 23:39:11 -0500</pubDate>

									<content:encoded><![CDATA[<p><strong><a href="https://film23106.commons.gc.cuny.edu/?p=3507" rel="nofollow ugc">The Discreet Charm Of The Bourgeoisie</a></strong>The film exhibited this week shares a primary commonality with Viridiana in that it is one of Buñuel’s more overt critiques. This fi <a href="https://film23106.commons.gc.cuny.edu/?p=3507" rel="nofollow ugc"><span>[&hellip;]</span></a></p>
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				<title>Carter Moore (He/Him) wrote a new post on the site Selected Directors: Luis Buñuel</title>
				<link>https://film23106.commons.gc.cuny.edu/?p=3419</link>
				<pubDate>Sat, 15 Nov 2025 17:27:31 -0500</pubDate>

									<content:encoded><![CDATA[<p><strong><a href="https://film23106.commons.gc.cuny.edu/?p=3419" rel="nofollow ugc">Weekly Response Week 11</a></strong>Last week, we reviewed Viridiana Buñuel&#8217;s Spanish homecoming film. With so much emphasis on his return to his home nation, he knew that he <a href="https://film23106.commons.gc.cuny.edu/?p=3419" rel="nofollow ugc"><span>[&hellip;]</span></a></p>
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				<title>Carter Moore (He/Him) wrote a new post on the site Selected Directors: Luis Buñuel</title>
				<link>https://film23106.commons.gc.cuny.edu/?p=3125</link>
				<pubDate>Mon, 13 Oct 2025 18:35:04 -0400</pubDate>

									<content:encoded><![CDATA[<p><strong><a href="https://film23106.commons.gc.cuny.edu/?p=3125" rel="nofollow ugc">Weekly Response Six</a></strong>Los Olvidados is a strikingly brutal portrayal by Buñuel of street urchin life in Mexico. Its opening sequence made it particularly <a href="https://film23106.commons.gc.cuny.edu/?p=3125" rel="nofollow ugc"><span>[&hellip;]</span></a></p>
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				<title>Carter Moore (He/Him) wrote a new post on the site Selected Directors: Luis Buñuel</title>
				<link>https://film23106.commons.gc.cuny.edu/?p=2933</link>
				<pubDate>Fri, 03 Oct 2025 02:56:51 -0400</pubDate>

									<content:encoded><![CDATA[<p><strong><a href="https://film23106.commons.gc.cuny.edu/?p=2933" rel="nofollow ugc">Weekly Response Five</a></strong>While short, our visit to the Hispanic Society was an enlightening and welcome change to the status quo. It was an interesting perspective <a href="https://film23106.commons.gc.cuny.edu/?p=2933" rel="nofollow ugc"><span>[&hellip;]</span></a></p>
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				<title>Carter Moore (He/Him) wrote a new post on the site Selected Directors: Luis Buñuel</title>
				<link>https://film23106.commons.gc.cuny.edu/?p=2803</link>
				<pubDate>Thu, 25 Sep 2025 23:17:44 -0400</pubDate>

									<content:encoded><![CDATA[<p><strong><a href="https://film23106.commons.gc.cuny.edu/?p=2803" rel="nofollow ugc">The Young One Weekly Response</a></strong>Despite Bosley Crowther&#8217;s opinion, I found The Young One to be quite groundbreaking. There is a definite reason why this film was made in <a href="https://film23106.commons.gc.cuny.edu/?p=2803" rel="nofollow ugc"><span>[&hellip;]</span></a></p>
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				<title>Carter Moore (He/Him) wrote a new post on the site Selected Directors: Luis Buñuel</title>
				<link>https://film23106.commons.gc.cuny.edu/?p=2731</link>
				<pubDate>Sun, 14 Sep 2025 02:45:21 -0400</pubDate>

									<content:encoded><![CDATA[<p><strong><a href="https://film23106.commons.gc.cuny.edu/?p=2731" rel="nofollow ugc">Week Three Response</a></strong>Viewing Las Hurdes on its own was a tantalizing experience. An interesting exposé into a then-forgotten, destitute subpopulace of a <a href="https://film23106.commons.gc.cuny.edu/?p=2731" rel="nofollow ugc"><span>[&hellip;]</span></a></p>
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				<title>Carter Moore (He/Him) wrote a new post on the site Selected Directors: Luis Buñuel</title>
				<link>https://film23106.commons.gc.cuny.edu/?p=2657</link>
				<pubDate>Sun, 07 Sep 2025 22:52:38 -0400</pubDate>

									<content:encoded><![CDATA[<p><strong><a href="https://film23106.commons.gc.cuny.edu/?p=2657" rel="nofollow ugc">Weekly Response Two</a></strong>I found the psychosexual themes of both Buñuel films we watched this week rather perplexing. On one hand, traditional directors will try to <a href="https://film23106.commons.gc.cuny.edu/?p=2657" rel="nofollow ugc"><span>[&hellip;]</span></a></p>
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				<title>Carter Moore (He/Him)&#039;s profile was updated</title>
				<link>https://commons.gc.cuny.edu/activity/p/1090593/</link>
				<pubDate>Fri, 29 Aug 2025 19:16:14 -0400</pubDate>

				
				
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				<title>Carter Moore (He/Him) became a registered member</title>
				<link>https://commons.gc.cuny.edu/activity/p/1090565/</link>
				<pubDate>Fri, 29 Aug 2025 18:24:52 -0400</pubDate>

				
				
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